August 27, 2011 In art, drawing, illustration, skill By Patricia Saxton

Old Tree

“storms make trees take deeper roots.” ~ Dolly Parton

Impending east coast storms have me thinking about the power of nature… and for some reason, a drawing I did many years ago came to mind. It’s quite large for a pen and ink, and took a long bit of time. I had been in a very meditative place, and became lost in the leaves and bark and majesty of the tree; the strokes of the pen were both welcoming and healing… and it remains one of my favorites.

"Old Tree" / © Patricia Saxton

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July 27, 2011 In appreciation, art, creativity, inspiration, skill By Patricia Saxton

Life, Art & the Validity of Experience

Experience is not what happens to you; it is what you do with what happens to you.   ~ Aldous Huxley

A friend brought this story of a woman designer to my attention, thinking I might find it inspiring.

It most definitely is.

The world is full of talent, full of success stories and tales of old glories ~ and new this and that’s roll in as steadily as tides hit shorelines. But how often do you hear of someone still producing marketable stuff at the tender age of 104?

It goes to show that discipline, passion, and vision are not bounded by age ~ and that experience counts. Just think of all that life going into works of art!

Eva Zeisel’s story is fascinating, her work remarkable, her longevity dazzling.

……………………..

The following is an excerpt from a Wall Street Journal Article. 

When the lighting company Leucos announced recently that it was debuting a line of lamps by Eva Zeisel, even the collecting cognoscenti had to do a double take.

Ms. Zeisel is one of the great modernist designers of the 20th century. But what was she doing in the 21st? She was born around the same time as W.H. Auden, who’s been gone for nearly 40 years, and Frida Kahlo, nearly 60. Turns out that at 104, Ms. Zeisel is still creating her “things,” as she calls her designs, for companies ranging from Kleinreid to Design Within Reach.

The definition of a survivor, Ms. Zeisel was born in Budapest, went to Berlin for the glamorous period of the 1920s and then to Russia in the ’30s. “The arts from Russia seemed fresh and appealing,” she said. “So I decided to go and see what was behind the mountain.” There she had a run-in with Stalin, who imprisoned her for 16 months.

In 1938, she arrived in New York with $67 in her pocket and was given the first-ever one-woman show, seven years later, at MoMA. These days, she weekends near Nyack, N.Y., where she spoke to us about her life and latest works. (Read the full article here.)

Eva Zeisel was born in Budapest, Hungary on November 13, 1906. Over the last 86 years, she has become a world-renowned and honored designer. The most prestigious of all Eva’s accolades came in 2005 when she received the National Design Award for Lifetime Achievement by the National Design Museum, Smithsonian. At 99 years old, she could have used the award to bring closure to a very successful and productive career. However, Eva chose to continue to design new works of art to share with all of us.

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July 20, 2011 In design, drawing, graphic design, illustration, skill By Patricia Saxton

Vector Dreams

Computers are magical. Young designers don’t know how good they have it. Back when the earth’s crust was cooling and dinosaurs roamed freely, there existed the most horrendous, antiquated processes for creating a finished design project.

I worshipped computers the minute they eliminated rubber cement and laborious hand-cut color separations. T-squares and triangles and type galleys. It was a downright primitive experience. The production aspect was neither fun nor a walk in the park, although you did acquire a fairly intimate relationship with the inner workings of color and tone and bandaids (for the exacto blade cuts).

With computers you can take a piece of handmade art and ~ *presto!* ~ it becomes digital, ready for use in a multitude of ways on a multitude of products.

Of course, there are varying levels of *presto!*, so that what looks clean and effortlessly polished is very often laboriously and painstakingly rendered behind the scenes.

I’ve recently been working with a great client on a project that falls precisely into this category. The end result is a pretty picture, but getting to that point is literally a matter of connecting hundreds of little dots, like these:

And a strange thing happens when you get into a groove like that ~ it starts to take over your subconscious mind. It’s kind of like when I draw a lot, I see things in shapes and shadows, lights and darks … except in this case I start seeing things as if they were pieces of vector art**.

Just the other day while driving a winding stretch of road, my mind decided to imagine the curves as they would be drawn on the computer. It was a pretty weird sensation. I wonder if dreaming in vector is next.

Dreams or no dreams, the laborious elements of yesteryear’s graphic design have really only changed in terms of the tools used. Personally, I still adore illustrating classically with a pencil or paintbrush ~ but for design, I remain ever grateful that paste-ups hit the dust long ago.

**in brief, for those who may not know, vector art is the use of computerized lines and anchor points to create shapes that in the dark ages would have been done by hand.

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July 7, 2011 In animation, art, children's books, creativity, design, illustration, imagination, presentation, skill By Patricia Saxton

"The Lost Thing": Awesome Children's Book ~ Fabulous Film

I love this! It’s just superb, and completely delightful, from the great artist/author Shaun Tan.

With good reason, The Lost Thing won Best Animated Short Film at this year’s 83rd Academy Awards. And there’s an extra bonus ~ because the behind-the-scenes telling of how the film’s sounds are created is a fascinating treat of its own. In the video below, supervising Sound Editor/Sound Designer John Kassab shares his experience working on this animated treasure.

Very cool stuff all around. Enjoy!

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May 5, 2011 In architecture, art, creativity, imagination, inspiration, skill By Patricia Saxton

Creative Duet: The Mind-Boggling Antoni Gaudi

Spanish architect Antoni Gaudi is known for his engineering genius, but there are clearly so many other elements at work in his work that he is far more than “architect”.

He was an artist. Buildings were his canvas. And those buildings are grand treasure troves of design and unbridled creativity.

Revered worldwide as one of the most important modernist style architects, Gaudi lived from 1852-1926. “Over the course of his career, Gaudi developed a sensuous, curving, almost surreal design style which established him as the innovative leader of the Spanish Art Nouveau movement. With little regard for formal order, he juxtaposed unrelated systems and altered established visual order. Gaudi’s characteristically warped form of Gothic architecture drew admiration from other avant-garde artists.”*

Gaudi takes “thinking outside the box” to whole new levels. His extraordinary works, many of which reside in Barcelona, are movement and dance, they’re delicious sugar-laced monuments with creamy frosting; they’re all marshmallows and gingerbread, sand-castles, stone, glass and iron; they’re original, dramatic, striking blends of angle and color.

I marvel at the ingenuity and the boundlessness. Fantastic. Illogical. Stunning.

*References
Dennis Sharp. The Illustrated Encyclopedia of Architects and Architecture. New York: Quatro Publishing, 1991. ISBN 0-8230-2539-X. NA40.I45. p61.
Muriel Emmanuel. Contemporary Architects. New York: St. Martin’s Press, 1980. ISBN 0-312-16635-4. NA680.C625 1980.
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April 12, 2011 In art, communication, creativity, drawing, inspiration, intelligence, skill By Patricia Saxton

Stephen Wiltshire: Pure Genius

You may have heard of Stephen Wiltshire; he’s a London based artist renowned for his masterfully detailed drawings of cityscapes.

Stephen Wiltshire is autistic. He didn’t speak one word until he was 5 years old. His mind, however, is pure genius. His “disability”, as so often is the case, has provided an amazing gift.

Thanks to my friend Jai for sharing this with me… now it’s my pleasure to share it with you. If you view the video, I pretty much guarantee you’ll be awed.

For more on Stephen, his journey and incredible talent, go to: The Stephen Wiltshire Gallery.

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March 5, 2011 In art, creativity, drawing, illustration, imagination, inspiration, skill By Patricia Saxton

Some Thoughts on Illustration

© Patricia Saxton

Maybe because I’m in the thralls of illustrating another book, or maybe because of a letter I recently received from a Savannah College of Art student  .. or maybe that combined with the Teen Arts Show I critiqued last night… or maybe, it’s just me and that thoughts of illustration are never far off and it seems a good time to say a few things.

So here we go.

Illustration is about illustrating. No kidding, you say. But unless you’re talking about technical illustration, or maybe medical illustration (although, to be fair, even within these more structured realms you’ll find varying degrees of expression) illustration is really about the illustrating of ideas.

It’s not about drawing or painting, tools, colors or style. These have a gigantic impact ~ but alone, they do not tell the story.

In the old days, to illustrate literally meant “to illuminate”.  I like to think of illustrating as a creating a visual voice. So, while drawing may be the most common foundation, illustrations need to say something. Explain. Expound. Express. Something pertinent.

I spent countless hours of my youth drawing. Everything in sight. I knew I had “talent”, but didn’t think I was “creative”. Give me a toaster and I’d draw the best damn toaster you’d ever seen. But could I make the toaster clever? Could I make it intriguing, or would it just be a fine toaster? I had doubts.

Then one day the veil broke. Or maybe it was a dam. Either way, I passed through “ability” into a place where creativity flowed more freely.

It might work the other way around for some people, but however we get there, an illustrator needs to a.) think conceptually and b.) have command of their style(s) so that their work exhibits a steady, reliable quality.

A sense of design is also marvelously valuable (how will an illustration look on a page in relation to text and/or other elements?).

Being dependable and trustworthy is another handy trait, especially if one wants repeat work.

And then, you need to pack a sense of humor in your bag ~ not necessarily towards the art itself (unless meant to be funny), but towards the process… because things happen, people happen, emotions happen, mistakes happen. Half of life (if not more) is attitude.

Now for the show… Just a handful of some well-known (and fantastic) illustrators who’ve consistently made great work, paved the way, inspired others, touched lives and even earned a living doing so.

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