More Milton: On Drawing and Thinking

This is wonderful. The way he articulates the connection between seeing and thinking touches on the very essence of what every illustrator has probably felt at some point – myself included.

In this short video by C. Coy, designer Milton Glaser draws a picture of Shakespeare while talking about the ways that drawing helps him think and perceive: “for me, drawing has always been a primary way of encountering reality.”

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Milton Glaser On Using Design To Make Ideas New

TED Talks (Ideas Worth Spreading) is one of my all-time favorite sources for Great Stuff.  So imagine my delight to find this video of one of my all-time favorite people there as well.

Of course, it’s really no surprise to find Milton Glaser among the TED archives, but I’d not seen this one before. (For those of you outside of the design world, Milton Glaser is the living, legendary icon of the graphic design and illustration world; the guru, the master. A glance at his bio will give you a good overview.)

Having regretfully missed seeing him this week in New York for the launch of his new book, Drawing Is Thinking, this was a sort of virtual, substitute visit.

Milton is a marvel. A man of superior intellect and talent, with a wonderfully unassuming manner for someone of his stature. And as if we need any more proof, he recently received the National Medal of Arts – the first designer to achieve this recognition.

In his 80’s now, he recently told me he’d work as long as he can. Which, as I see it, is lucky for us.

Enjoy the “visit”. He’s a voice, and a mind, infinitely worth hearing.

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Destination: Perth Amboy (Travels with Jose and Nick)


Destination: Perth Amboy Art Gallery Center For the Arts for the opening reception of “The Many Faces Of Eve” exhibit, in which some of my work is exhibited along with 7 other women artists. And as is often the case, the journey was more than half the fun.

We’re a party of four: Jose, Nick, my daughter Carolyn and myself. I drive, because Jose grew up in Florida and drives with trepidation at 40 mph on the highway. Nick lives in the New York City and I understand that the last time he drove was on a vacation out west 10 years ago. Nick and Jose think I am an amazing driver, and revel at my “calm”. They sit in the back so they don’t get nervous as I effortlessly dart in and out of lanes with practiced care.

Jose and Nick, both prolific artists, carry on their typically fascinating repartee on history, the arts and socio-cultural snippets in a brilliant, almost stream-of-consciousness style. Cruising down Rt. 287, we cover Hitler, Mussolini and Franco, St. Peter in the Walls, the Vanderbilts, Guggenheims and Coopers, and Nick getting lost in the desert during his Army years.

Because we arrive early, we take a drive down to the Perth Amboy waterfront and find a cozy pub restaurant. We sit at the bar with stuffed and painted swordfish watching over our shoulders, and we order food and drinks. I learn that this is one of Jose’s wife’s favorite places, and that afterwards she likes to go for a walk along the water.

I also learn that this urban scrawl of a town filled with trinkets like Jesus statues with eyes that wiggle, costume lingerie and shops that sell everything for a dollar, was once a thriving city where, in fact, the Guggenheim family originally made its fortune in the tin and copper business. (I’d always assumed they’d been in the art business…) (And to be fair to the city of Perth Amboy, it’s experiencing a revival, much to its credit.)

The bar is small, so we can’t help noticing a middle-aged woman, a retired man wearing a navy baseball cap, and a man in a Mets jacket, in the throes of a vigorous debate about the condition of America –  more specifically, about the current health care measures. Tired from a long day followed by a long drive, I think that my daughter, myself and my 2 artist friends are secretly pleased for the diversion. Possibly a classic one.

The woman is a registered Democrat but considers herself Independent. She holds the floor for a good while, batting back rebuttals from across the bar, where the retired man plays devil’s advocate.

“Have you read the bill?” he’d ask, and she’d say “No, but….  well, have you read the bill?” and he’d say “No, but …”  …So that both have their say but there isn’t a lot of credence being placed on the other’s opinion. “Are you one of those Teabaggers?” he asks. “No, but I think they have every right to speak up.” “Well, from everything I’ve read they seem like troublemakers” On it goes.

At some point – must have been that our food arrived and in our ravenous state we lost track of the conversation ~ really yummy food, by the way ~ the woman has no more to say and the conversation shifts over to the guy in the Mets jacket seated beside the retired man.

The Mets guy is Republican. If the topic were different, I imagine these two being friends. Obviously they both like baseball. But of course the views of these two men are even farther apart than the woman’s had been, making it feel like we’re watching a microcosmic episode of MSNBC vs. FOX News.

Each man clearly feels confident, and just a little bit righteous, about their opinions. In a situation like this I wouldn’t normally chime in and I do NOT want to get in the middle of what is becoming a somewhat heated political discussion. Yet they’re driving me a little crazy, and it’s all I can do to bite my tongue.

There’s a slight but growing air of volatility. The bartender walks around to diffuse a potential fight. He puts his hand on a shoulder and says, “Take it easy, guys.”

At the same time, Jose apparently senses my tongue biting, so he tosses me into the ring (… what was he thinking? … or maybe he saw an opportunity break the tension…) by announcing that I have something I want to say. Which is actually true – so out it spills. Even more surprising, to me, is that they listen … as I tell them that they are, right then and right there, acting out the divide in our country between right/left, right/wrong ~ it’s all black and white with no gray area. They are so sure of their own positions, they don’t hear the other person’s view. There’s not enough open-mindedness going on to at least consider some of the points the other made. They’re not having a conversation ~ not even a debate ~ it’s all “I’m right, you’re wrong, this is the way it is, and, he said this, and well, but he said that…”  Almost a test of wills. There is condescension. Try to listen to each other, not just plan your next stab.

My piece has been said. No fists are raised. (Later, Nick shares how impressed he was that I “got in the middle of the fight”. I did? I didn’t think it was all that bold, but of course, I couldn’t see myself.) Then they ask my daughter her opinion. She answers with fabulous diplomacy for a 13-year-old. I am proud.

Shortly after that, Jose talks to them too. Jose is both an artist and a professor. I don’t think I’ve ever met a more knowledgeable historian; one who’s interestingly knowledgeable, not just book smart. So he comes at them with this wealth of archival information and holds them in the palm of his hand. And, unlike me, (and more bravely than me), he takes sides – yet he does so in such a way that disarms both men.

It is pretty remarkable. They seem to lose their battle cry, and instead wonder aloud about who this guy is – where was it that he taught, what school? Interesting how the mind can respond.

We go on our merry way, four artistic souls out for a simple taste of life. We walk along the piers, take some pictures. Ponder more juicy historical morsels and finally end up at the art show, which is, if you recall, the whole reason for our journey.

The show is lovely, energetic, and warm. I especially like the conga musicians. They come late though, and we have to leave. We head for home… with the streaming dialogue in the back seat serving up more intellectual treats, and stories already being concocted about yet another creative journey with Jose and Nick. And once again, they admire my driving skill.

I’ll always wonder how it ended up over there at the bar by the bay.

I’m also thinking, my daughter probably learned more in those few hours than in a year of social studies class. The really good news is she also thought it was fun. As did I.

A couple days later I overheard my daughter repeat to a friend something she learned that night. Her friend asked her how she knew what she knew. She told them it’s because her Mom hangs out with really smart people. :  )

ps: there are a few more pictures from the exhibit at the patricia saxton blog.

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Notes on the Peace Symbol ☮

I’ve included a second “Peace Egg” in this week’s design, which you’ll notice is 180 degrees from all the rest. Some would call it “upside-down”. But there are those who believe that the peace sign we most typically see is the upside-down version.

They will tell you that the peace symbol is, in truth, a reflection of the tree of life … reaching upward towards heaven, open-armed, gentle and alive, whereas the downward, more common peace sign actually defeats the purpose by appearing as a sword. Some feel that if you spend just a little time looking at both versions, the “up” position feels more comfortable and “peaceful”… and that the “down” position feels more angry, which furthermore explains why peace movements have failed. On the flip side, the downward version is said to have been developed to express “no nukes”.

Different opinions abound; but those who view the commonly seen peace sign as upside-down and therefore “wrong”, tend to feel very strongly about it – so I wanted to nod to that belief, at least once in my series, and give them some “peace”.

Symbols and their meanings have a rich and deep history, which I’m only touching on very lightly here. But as someone who’s made part of her living creating symbols, I do find the subject pretty fascinating, and likewise, I understand there can be substantial elemental power within symbols on an energetic level, which I have also experienced first-hand.

Yet meanings can be interpreted differently, or diluted, or ignored … and while I don’t disagree with the notion of symbols as a potent force, I also believe in an individual’s capacity to affect their surroundings, including the symbols in their environment.

So for the purpose of my “52 Weeks of Peace” series, I chose the “downward” version ~ against the wishes of a dear friend ~ for a couple of reasons: 1. it is most familiar and for right or wrong is widely associated with peace, and 2. I personally find a sense of grounding in this version; I see roots, just as the upward version can be seen as branches. Roots, to me, are very life-giving.

And … as many also believe, it is often intent, after all, that matters.

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The Power of Personal Projects

Ji Lee: The Transformative Power of Personal Projects

Inspiring talk from Ji Lee – now Creative Director of Google Creative Lab – about personal projects and their ability to transform your ideas as well as your career. From his own life experience of boredom resulting in an idea which turned viral and became a design phenomenon known as The Bubble Project”, Lee talks about how he created, financed, and marketed the project single-handedly, and how it ultimately forwarded his professional career. Featured on the 99% site, devoted to “making ideas happen”, and well worth visiting.

(NOTE:  Unfortunately, the “embed this video” code didn’t work for me on this one!  Instead, click on the image above to watch/ hear the video at the 99% site.)

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Press Coverage for March 25th Art Opening of "The Many Faces of Eve"

A Women’s Intuition in Perth Amboy

By Ralph J. Bellantoni
Correspondent

The Perth Amboy Gallery Center for the Arts celebrates Women’s History Month with the group exhibit “The Many Faces of Eve.” The show opened March 8 and the center will host a reception from 5:30 to 8 p.m. on Thursday, March 25.

The show presents work by Jamie Allen, Patricia Banks, Harriet FeBland, Gracelyn Molina, Amy Ortiz, Patricia Saxton, Adrienne Wheeler and curator Laura Cuevas. The artwork addresses issues of morality, sexuality, family, spirituality and self and social identity in an expansive diversity of styles and media. The light of the primal Eve refracts in resplendent display through the particular energy, talent and resourcefulness of each accomplished artist.

Cuevas’ own paintings and oil pastels straddle the abstract and figurative in her
depictions of bodies, fruits and foliages melting and blurring into sensual fields of color and texture. FeBland has been dubbed “the poet of geometry” because of her mathematically precise paintings, transformed through the intuitive prism of her creative imagination. Ortiz explores themes of the intertwined connection of women and nature through surreal compositions.

Wheeler’s work arises from ancestral and spiritual practices drawn from the Bakongo traditions of the Atlantic coast of Africa. She creates “Nkisi” (sacred medicine) — consisting of carefully assembled materials bundled into fetishes of spiritual potency. She created her installation in response to the recent earthquake that devastated Haiti.

In this composition, Wheeler’s Nkisi represent bundles of bodies, belongings, medicines, airlifted supplies and hope. She reminds people that Haiti has actually been in a state of devastation for centuries. She hopes her work can act as a catalyst for change — a plea for vigilance in bringing an end to the vicious cycles of global human suffering.

Saxton has been drawing and painting since early childhood. She has run her Saxton Illustration & Design firm for more than 20 years, and is author and illustrator of the children’s stories “A Book of Fairies’‘ and “The Book of Mermaids.”

“Somewhere around the age of 3, I picked up a pencil and never quite put it back down,” said the artist.

Saxton merges image and text, the real and imagined, in her fine art works in pen and ink, pencil and oils. She accentuates positives over negatives and seeks the nourishment of mind and soul through her art.

“I am particularly delighted to be a part of this unique exhibition and its diverse
collection of women artists honoring the feminine and the “many faces of Eve,”’ said Saxton.

THE MANY FACES OF EVE: GROUP EXHIBIT CELEBRATING WOMEN’S HISTORY MONTH

1 to 6 p.m.
Mondays through Saturdays
through April 30
Opening reception from 5:30 to
8 p.m Thursday, March 25
Perth Amboy Gallery Center for the Arts
399 Reade St., Perth Amboy
Free
732-826-8083 www.perthamboygallery.org

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