Details, Details

Details rule my days, all day, most days. Design details, illustrative details, word details, project details, scheduling, parenting, you name it. (Which is partly why, I suppose, that I love to paint backgrounds with giant sweeping brushstrokes, and why I love big, broad views with never-ending skies.)

When it comes to my art, people often ask “how do you do that shading with a pencil?”, or “how do you create that sense of depth on a 2-dimensional surface?”. Of course I can show them, or I can teach techniques, but the truth is that when you’re in the throes, you’re not really “thinking”, it’s more like feeling your way. (And it should also be said, that one of the key things about details is knowing which ones to leave out.)

In any event, since details play such a big role in my work, I thought it might be interesting to share some “up-close” artwork. Hope you enjoy the closer look!

saxton_cairo.market.detail2

Detail of "Cairo Market" / Oil on Canvas / © Patricia Saxton

"Cairo Market" / Oil on Canvas / © Patricia Saxton

Detail of "Osprey 1" / Pen & Ink / © Patricia Saxton

"Osprey 1" / Pen and Ink on Paper / © Patricia Saxton

Detail of "Eagle" / Pencil on Paper / © Patricia Saxton

"Eagle" / Pencil on Paper / © Patricia Saxton

Detail of "Storm II" / Oil on Canvas / © Patricia Saxton

"Storm II" / Oil on Canvas / © Patricia Saxton

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The Brilliant Charles Dickens

It was the best of times, it was the worst of times, it was the age of wisdom, it was the age of foolishness, it was the epoch of belief, it was the epoch of incredulity, it was the season of Light, it was the season of Darkness, it was the spring of hope, it was the winter of despair, we had everything before us, we had nothing before us, we were all going direct to heaven, we were all going direct the other way – in short, the period was so far like the present period, that some of its noisiest authorities insisted on its being received, for good or for evil, in the superlative degree of comparison only.
Charles DickensA Tale of Two Cities

Charles Dickens, English novelist (1812 - 1870)

If humans were immortal, Dickens would be 200 years old today. Although, considering the body of work he left behind, appreciated generation after generation, he’s among those who have become as immortal as it gets. I’ll wager that every one of us has experienced at least one (if not a few) of his written achievements, most notably A Tale of Two Cities, A Christmas Carol, David Copperfield, Great Expectations, and Oliver Twist.

Who was Charles Dickens? A man of great passion, drive and intellect. Among English writers he is second only to William Shakespeare in literary prowess, fame and public recognition.

He was the second of eight children born on February 7, 1812, to John and Elizabeth Dickens. His mother taught him to read, his father considered him a young prodigy. He devoured the considerable amount of artistic and literary works available in his home, enjoyed trips to the theatre and adored stories told by his nursemaid. From age 7 to 9 he was schooled by a Baptist minister named William Giles. He was consumed by ambition and dreamed of becoming a gentleman.

But his youth became marked by hard times when his father was jailed for debt. At age 12 he was sent to live in a boarding house and work among a rough-edged crowd in a blacking warehouse, fixing labels to boot polish bottles ~ a harsh, impressionable experience that would later inspire the semi-autographical novel David Copperfield, and feed his view of society’s inequities.

A few years later, his father was released, and young Charles resumed a couple more years of schooling at an academy called Wellington House. At age fourteen he was employed as a clerk in an attorney’s office. He got his first journalism job at age 16, as a shorthand reporter in the courts, shortly followed by a position as a newspaper reporter.

Fueled by a desire for distinction, Dickens was an unusually hard-working apprentice, and a fast-growing disillusionment with politics led him to contribute essays and short stories to other newspapers and magazines (something he did throughout his entire life).

Connections developed as a political journalist gave him both success and a following, allowing him to begin publishing his own fiction early in his career. His first great success came with his monthly installments of The Pickwick Papers. At the time this was a publishing phenomenon, making the serialization of novels a profitable venture and available to folks who couldn’t ordinarily afford literary works. Within a few years he was regarded as one of the most successful authors of his time.

His novels were often a revealing commentary on humankind’s misgivings, his own disenchantment with the world’s economic drives and social injustices ~ an imperfect world we all know to be true, regardless of our stature.

“Through his books, we come to understand the virtues of a loving heart and the pleasures of home in a flawed, cruelly indifferent world.”

In 1836, Dickens married Catherine Hogarth, the daughter of his editor (although some say daughter of a newspaper co-worker). They had ten children before separating in 1858. Around that time Dickens began public readings of his work, including a series of readings in America in 1867-68, which took a physical toll on his already failing health. Buried in Poet’s Corner of Westminster Abbey in June of 1870, Dickens left an unfinished novel called The Mystery of Edwin Drood (I’d like to read that!) as well as fifteen completed novels, countless short works and an enduring following.

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Super Bowl Ads / Part II: The Forgettable and The Unforgettable

If you’ve read my last post, I stand corrected, thanks to my friend Mary.

There was one more really good, memorable ad besides the Chrysler/Clint Eastwood piece. (I hadn’t seen this one ~ must have been firing up the hot fudge sauce when it aired…) This one’s just a happy hoot! ~ and every bit as good for wit and creativity as the Chrysler ad was for class and message.

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Super Bowl Ads: The Forgettable and The Unforgettable

“Ads are the cave art of the twentieth century.”
~ Marshall McLuhan

If this statement is true, and if we consider the majority of this year’s Super Bowl ads, we’re becoming pretty forgettable.

Super Bowl advertising is eagerly anticipated by millions, almost as much as watching the game. (Some would argue that the ads are the main event). It’s a huge opportunity to hawk wares to a captive audience, and highly regarded as a showcase for some of the best & brightest commercials made.

So, I watched to see what cream would rise to the top, and was incredibly disappointed. Have I just become jaded and old-fashioned? As a reality check, I asked my teenage daughter if she found them entertaining. Her answer: “No.”

She was out of the room for the only one that I found powerfully memorable and worthwhile. It happened to be a serious ad, and featured Clint Eastwood (I’ll let that fact speak for itself). In case you missed it, here it is:

Aside from this one, I thought: “they just don’t make them like they used to!’ Okay, I’ll admit that the “we go” Budweiser dog ad was sort of cute, and I liked the one about entrepreneurs. So there, I found two more. But by and large there were too many ads and too little substance.

Of course, they don’t have to make them like they “used to”, except for maybe having some more class, more wit, more depth, more intelligent ingenuity.

Am I asking too much? I don’t think so. If the idea is to make a big impression, and get the most bang for the probably obscene amount of monies spent, they might take some tips from some great ads of Super Bowl’s past…

With the wealth of talent and creative energy in the world today, you’d think the 2012 Super Bowl ads could’ve been a little bit spectacular. In my opinion, it just goes to show that technology doesn’t equate with creativity, and bells and whistles don’t make the message.

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“where in the world is peace?” … fantastique!

"Living Large" at Chateau de Pau (Pau, Pyrénées-Atlantiques)

 

(ps:  you can see all “where in the world is peace?” images compiled on our special “where in the world is peace?” page. Totes, mugs and things are available here. Send your own pictures to 52weeksofpeace@gmail.com and we’ll also post them on our FaceBook page. Let’s see where peace goes!)

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