The Power of Personal Projects

Ji Lee: The Transformative Power of Personal Projects

Inspiring talk from Ji Lee – now Creative Director of Google Creative Lab – about personal projects and their ability to transform your ideas as well as your career. From his own life experience of boredom resulting in an idea which turned viral and became a design phenomenon known as The Bubble Project”, Lee talks about how he created, financed, and marketed the project single-handedly, and how it ultimately forwarded his professional career. Featured on the 99% site, devoted to “making ideas happen”, and well worth visiting.

(NOTE:  Unfortunately, the “embed this video” code didn’t work for me on this one!  Instead, click on the image above to watch/ hear the video at the 99% site.)

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Press Coverage for March 25th Art Opening of "The Many Faces of Eve"

A Women’s Intuition in Perth Amboy

By Ralph J. Bellantoni
Correspondent

The Perth Amboy Gallery Center for the Arts celebrates Women’s History Month with the group exhibit “The Many Faces of Eve.” The show opened March 8 and the center will host a reception from 5:30 to 8 p.m. on Thursday, March 25.

The show presents work by Jamie Allen, Patricia Banks, Harriet FeBland, Gracelyn Molina, Amy Ortiz, Patricia Saxton, Adrienne Wheeler and curator Laura Cuevas. The artwork addresses issues of morality, sexuality, family, spirituality and self and social identity in an expansive diversity of styles and media. The light of the primal Eve refracts in resplendent display through the particular energy, talent and resourcefulness of each accomplished artist.

Cuevas’ own paintings and oil pastels straddle the abstract and figurative in her
depictions of bodies, fruits and foliages melting and blurring into sensual fields of color and texture. FeBland has been dubbed “the poet of geometry” because of her mathematically precise paintings, transformed through the intuitive prism of her creative imagination. Ortiz explores themes of the intertwined connection of women and nature through surreal compositions.

Wheeler’s work arises from ancestral and spiritual practices drawn from the Bakongo traditions of the Atlantic coast of Africa. She creates “Nkisi” (sacred medicine) — consisting of carefully assembled materials bundled into fetishes of spiritual potency. She created her installation in response to the recent earthquake that devastated Haiti.

In this composition, Wheeler’s Nkisi represent bundles of bodies, belongings, medicines, airlifted supplies and hope. She reminds people that Haiti has actually been in a state of devastation for centuries. She hopes her work can act as a catalyst for change — a plea for vigilance in bringing an end to the vicious cycles of global human suffering.

Saxton has been drawing and painting since early childhood. She has run her Saxton Illustration & Design firm for more than 20 years, and is author and illustrator of the children’s stories “A Book of Fairies’‘ and “The Book of Mermaids.”

“Somewhere around the age of 3, I picked up a pencil and never quite put it back down,” said the artist.

Saxton merges image and text, the real and imagined, in her fine art works in pen and ink, pencil and oils. She accentuates positives over negatives and seeks the nourishment of mind and soul through her art.

“I am particularly delighted to be a part of this unique exhibition and its diverse
collection of women artists honoring the feminine and the “many faces of Eve,”’ said Saxton.

THE MANY FACES OF EVE: GROUP EXHIBIT CELEBRATING WOMEN’S HISTORY MONTH

1 to 6 p.m.
Mondays through Saturdays
through April 30
Opening reception from 5:30 to
8 p.m Thursday, March 25
Perth Amboy Gallery Center for the Arts
399 Reade St., Perth Amboy
Free
732-826-8083 www.perthamboygallery.org

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Week 29: "52 Weeks of Peace"

Oh, the music in the air!
An’ the joy that’s ivrywhere –
Shure, the whole blue vault of heaven is wan grand triumphal arch,
An’ the earth below is gay
Wid its tender green th’-day,
Fur the whole world is Irish on the Seventeenth o’ March!
~Thomas Augustin Daly


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Guitar For The Ages

Audiences have long enjoyed his acoustic prowess “live” – but I am just so pleased to share this taste of David Saxton’s amazing talent more broadly now, via video. His sound is a little bit Leo Kottke and a touch of Michael Hedges ~ but he’s entirely his own. Composing since his teens, Dave makes music that’s rich, melodic, stirring and deceptively complex. Enjoy!

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Drawing Tips: Colored Pencil

Colored pencils are one of my favorite mediums. They’re also one of the most unforgiving, as a friend recently discovered.

My friend’s son, a budding artist, had apparently drawn an amazing picture, then decided to color it in with colored pencils. But he “hated what he did” and wanted to erase the color. She asked me if there were an amazing eraser out there that would solve the problem – or if he was doomed to start over.

My short answer was that there is no “amazing eraser” for colored pencil, and that yes, he was most likely doomed.

So maybe you too have decided to try illustrating with colored pencils. You’ve got your base drawing down and now you’re coloring away, shading, blending, watching the colors come to life. Time passes without notice.

Then in one dreaded moment, you realize you’ve gone too far. You reach for your eraser. You erase…. nothing happens. You try again. You curse. Maybe you scream. But you pull yourself together, because you think, ha! – there’s gotta be a solution. It’s just pencil, after all.

Not to dash your hopes, but here’s the harsh reality: Unless you’ve used your colored pencil v-e-r-y lightly (in which case you haven’t gone too far, so there’s been no cause for dread), you – just like my friend’s son – are probably, almost definitely, doomed to begin again.

There are people who use an electric eraser, or an eraser that sharpens like a pencil, but these take practice (otherwise they smear or eat the paper), are meant for small areas, and can be more frustrating than starting over. White artist erasers or gray putty erasers, which I personally love for regular pencil, don’t do the trick with colored pencils, only taking off slight upper layers of shading.

Aside from starting over, another option is to turn your mistake into something else – sometimes a mistake offers a new way to think about your picture. But once you’ve laid down a bunch of color, erasing is not a viable option.

The real lesson here of course, is about going slowly…. before it’s too late to go back!  And that making a sketch first (even a rough one) to test out the color is a real smart thing to do.

You can also lay a piece of tissue paper over the drawing and color over it (on the tissue paper), to get an idea of how the color might look – just keep in mind that the texture of the tracing paper creates a different feel, and that colored pencils will behave differently on drawing paper. But this simple step can let you know whether you want to forge ahead with color at all.

And like anything else, the more practiced you become, the more skilled and confident you’ll be, and those mistakes won’t be such a concern.

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Week 27: "52 Weeks of Peace"

Part intention, part belief… peace is a place that dwells somewhere inside us all … beneath the fray, outside the chatter, standing at the edge of chaos … stored in elements both real and imagined … and always a little bit magical.

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