proactively punctuating life with the plausible, powerful possibilities of positive thought presented through a plethora of “P’s”.
Paper is a wonderful thing. So practical and so versatile!
Needless to say, paper has been a key player in my life as artist and writer, so my appreciation might be over the top.
You see, paper isn’t just a vehicle for grocery lists or movie tickets or plain paper towels… a crisp, blank piece of paper is a breath of fresh, new air, an open field to run through, a drawing or a story waiting to spring to life between each finely woven fiber. Wonder and possibility lurk on every piece! … I love paper.
Paper, by the way, has been around since dinosaurs first recorded their alphabet on a sturdy, if not leafy paper known as jurassicyrus ~ more commonly called dinopyrus. Dinopyrus preceded the use of the more well-known Egyptian papyrus scrolls by several million years.
After the dinosaurs, history is more clear. Papyrus, a thick paper-like product made from the flower stem of the papyrus plant, pressed together and dried, first appeared in Egypt around 2500 B.C. Papyrus had a good, long run, but was replaced at some point around the 2nd century B.C. by Greek and Roman parchment, a thinner sheet made from calfskin, sheepskin or goatskin. Later, in 105 A.D., Chinese inventor Ts’ai-Lun was credited with the first papermaking process, creating paper by pulping rags, cotton, hemp and and other plant fibers.
It wasn’t until 1838 that paper was made from wood pulp, a discovery by Canadian farmer Charles Fenerty. But Fenerty never patented his process, so that German inventor Fredrich Keller, who did patent a wood-pulp papermaking process around the same time, is often considered the original inventor.
And there you have it. Hope you’ll have a new respect for paper. Don’t waste it ~ but do appreciate it!
Okay, so I got this crazy idea.
(and I give an award of brilliance to my daughter for the headline!)
The message of peace can have many forms, and be shared in many ways ….. in fact, a friend of mine brought a “52 Weeks of Peace” journal to someone in Nepal, which gave me an idea: Let’s have a little fun with peace!
All you need is a “52 Weeks of Peace” totebag (if you don’t have one yet, you can get one here) and a camera.
Take a picture of your “52 Weeks of Peace” tote in various locations, send me your images with a note about location (ie;, Colorado, Paris, South Africa, Quebec, New York City). I”ll post them here, and on my “52 Weeks of Peace” facebook page. No names or addresses, just pictures will be publicly posted~ & as long as you’re okay with that, please send them in!
Let’s make peace fun, and let’s see “where in the world” peace goes…
If you look, you can find peace almost anywhere .. and it’s there to be discovered, nurtured, given room to breathe in your own soul. Peace really does “start here”, with you, and with me.
Excitement! The “52 Weeks of Peace” book is almost ready…!
In the meantime, we’ve established a 52 Weeks of Peace / Peace Starts Here facebook page ~ please come on over and join in, “like” the page, let your voice be heard, spread some peace, share the love… see you there!
proactively punctuating life with the plausible, powerful possibilities of positive thought presented through a plethora of “P’s”.
Mom always said to stand up straight. And at some point in the awkward growing up years, I realized she was right (of course). Standing “straight and tall” looks better, it feels better (when you get used to it), and it’s good for you.
Your posture speaks volumes without saying a word ~ not only projecting confidence outwardly, but inwardly. You can stand straight, head high, belly in, shoulders back and relaxed, or you can slouch in varying degrees of slump-dom… just know that how you choose to carry yourself matters to both your physical and mental health, ultimately affecting your general well-being.
And while you’re busy sitting up a little straighter, remember: the same benefits hold true for how you posture your thoughts. Are your thoughts life-affirming or life-diminishing? Do they reach up or look down? Are they strong or limp, flexible or rigid? Are they aligned with your actions? Aligned with your heart?
What we think, and how we think it, has enormous influence in the well-being of a moment, a day, a year, a lifetime. As Buddha said, “What we think we become.”
And what’s really cool is that the simple act of “standing up straight” helps the positive flow of the thoughts we think ~ and vice versa. So it’s a win-win.
Mom sure was smart.
clearly, i need to pay more attention to P #32, because i’ve heard myself use the phrase “nose to the grindstone” on a daily basis for quite awhile.
Nose to the grindstone in and of itself is not “bad” (one must make hay), it’s the whole notion of “moderation in all things” that’s buzzing around my consciousness, suggesting that when one’s nose is always poised at the grinding stone, one isn’t necessarily experiencing balance, moderation or fun.
To be fair and honest, yes, I did “unplug” for nearly a week in order to rejuvenate, and there were moments of fun. Yet, while a temporary respite can have great restorative value, it really was just a hiccup of time. So that my nose, well accustomed to the grindstone, fell easily back into position upon my return.
What then, I wondered, is a grindstone and what does my nose have to do with it?
I understand the phrase to mean staying intently focused on work at hand. In other words, all work and no play. But curiosity got the better of me and I had to know know (you know?) what the phrase originally meant.
This old-timey photo was the best I could find ~ and though it looks like a prank (since they seem to be having a laugh), the meaning is not lost. According to varying sources, “nose to the grindstone” literally means one of two things:
1. A European millers’ guild expression to remind the miller that he must maintain a flow a grain between the mill stones, which were traditionally set one above the other. Without any grain between them, the weight of the top stone would strike sparks on the bed stone, and the smell, know as “brimstone” was a warning, that if not heeded, would likely result in an explosion that would kill the miller. Thus, to keep your nose to the grindstone meant to pay close attention, not to work hard, but diligently, and had nothing to do with sharpening tools on the other type of grindstone. (Although some folks agree with this explanation, doubters claim it’s untrue because millers used millstones not grindstones.)
2. 5000 years back (traced by the etymological research department of UCLA), carpenters had made a startling finding about the sedimentary stones and stone, and began using it solely to make the grindstones that sharpened their tools and other items. The nose-to-grindstone term then originates from knife grinders bent over the stone or laid flat on their fronts, with their faces near the stone. (Those in favor of the tool sharpening derivation say that early notes also refer to holding someone’s nose to the grindstone as a form of punishment, which is more in keeping with continuous labor and “being strapped to one’s bench” than it is to the sniffing of ground flour by a miller.)
So there you have it. Your choice. (And just so you know, when I use the phrase, my nose is not coming in close contact with knives, stones or ground flour. In case you were wondering. Which your probably weren’t, but thorough as I am, gotta cover all the bases.)
This September 11th marks the 10th anniversary of the 9/11 attacks. We have all felt the effects of that day, individually and collectively, our reactions ranging from a deeply personal emotion to public outcry.
It is my privilege and honor to be a participating artist in the 9/11 art exhibit described below. I hope those of you in the New York metropolitan area will be able to attend and experience this very special showing.
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In recognition of the tenth anniversary of 9/11, New Jersey City University will present “AFTERWARDS and FORWARD: A ten-year 9/11 reflective art exhibition,” a group show featuring works by 18 international artists, including Joel Meyerowitz, Yoko Ono, and Ultra Violet, as well as two works on loan from the National September 11 Memorial & Museum.
The exhibit will be on display from Monday, August 29 through Tuesday, September 27, in the Visual Arts Gallery, 100 Culver Avenue in Jersey City. An artists’ reception will be held 4:30 – 7:30 p.m. on Monday, September 12.
On loan from the National September 11 Memorial & Museum will be Milton Rosa-Ortiz’s “Tree of Knowledge of Good and Evil,” a lightbox with World Trade Center debris, and Werner Pfeiffer’s artist’s book, “Out of the Sky-9/11 a tribute.” Among other works featured in the exhibit will be Mr. Meyerowitz’s “Nov. 12, 2001, 2001 North Tower Shroud in Smoke and Spray,” a photograph from his “Aftermath: Images from Ground Zero, 2001” series; Yoko Ono’s wish tree, and Ultra Violet’s sculpture, “IX XI.”
Exhibiting artists will also include Hugo Bastidas, an NJCU professor of art; Richard A. Buntzen, a 2009 NJCU alumnus; Nemat El-Nasser, Carole A. Feuerman, Ben Jones, NJCU professor emeritus of art; Thierry Palau, Duda Penteado, José Rodeiro, an NJCU professor of art; Herb Rosenberg, NJCU professor and chair of art; Patricia Saxton, Jacqui Taylor-Basker, Raul Villarreal, and Chee Wang Ng. Works by these artists include paintings, collages, prints, sculpture, graphic designs, a film, and an installation.
“AFTERWARDS and FORWARD” considers the implications of the momentous events of 9/11 and endeavors to shed light on a host of prevailing issues about violence in the world and to promote dialogue, deeper reflection, meditation, and contextualization relating to or emerging from the 9/11 disaster.
Works selected for the exhibition include works created in the wake of 9/11 or its ensuing war-on-terror in any medium and works about peace created after 9/11. Three themes are represented in the exhibition: artistic responses to 9/11; artistic responses to the war on terror; artworks to promote peace efforts. Each artist whose work has been selected for the exhibit has demonstrated a strong commitment to anti-war issues throughout his or her career.
The tenth anniversary of 9/11 holds great significance for both Jersey City and New Jersey City University. Jersey City served as the primary staging-area for aid, support, search-rescue, organization, escape, and clean-up. With its uniquely ethnic faculty and student population representing 57 languages, NJCU is a microcosm of the diverse socio-economic populations impacted by the events of 9/11.
Gallery hours are 11:00 a.m. – 5:00 p.m., Monday through Friday, and by appointment. For further information call Dr. Midori Yoshimoto, NJCU director of campus galleries, at (201)200-2197.
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A reminder will be posted as the event draws closer.
An outstanding display of “play”, Google celebrates Lucille Ball’s 100th birthday in one of their now infamous animated google doodles.
If you’re too young to know “I Love Lucy”, you’ve missed one of the all-time great comediennes. If you’re old enough – enjoy the memories. Thanks Google!
http://www.youtube.com/watch?v=0oE1PrQP09E&feature=player_embedded
proactively punctuating life with the plausible, powerful possibilities of positive thought presented through a plethora of “P’s”.
“You can discover more about a person in an hour of play than in a year of conversation.” ~ Plato
Last year I did a post about the importance of play. And I still couldn’t feel more strongly that play is not only important, but essential for health and happiness of mind, body and soul.
Maybe some of you feel the same ~ I know I’m not alone in working long hours, and feeling some of life’s rather large stresses in a big way. Which, although we may not find the time, is all the more reason to make the time for play.
Doesn’t have to be a week-long affair (although a month would suit me fine right about now!); doesn’t even have to be a whole day or whole night. More might be better, but even a little can go a long way. So have a laugh with a friend, skip down the sidewalk, do a cartwheel, toss a ball, make lemonade ice cubes, sing a silly song, bend yourself into a letter of the alphabet … just for the fun of it. No other reason required. Period!
“We don’t stop playing because we grow old; we grow old because we stop playing.” ~ George Bernard Shaw
Posting just this once, to tell you we’ve unplugged for a week…
… and to let you know we didn’t forget about this week’s “P” design, which (appropriately) stands for “play!” (proper embellishment will follow…)
The butterfly counts not months but moments, and has time enough. ~Rabindranath Tagore
Experience is not what happens to you; it is what you do with what happens to you. ~ Aldous Huxley
A friend brought this story of a woman designer to my attention, thinking I might find it inspiring.
It most definitely is.
The world is full of talent, full of success stories and tales of old glories ~ and new this and that’s roll in as steadily as tides hit shorelines. But how often do you hear of someone still producing marketable stuff at the tender age of 104?
It goes to show that discipline, passion, and vision are not bounded by age ~ and that experience counts. Just think of all that life going into works of art!
Eva Zeisel’s story is fascinating, her work remarkable, her longevity dazzling.
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The following is an excerpt from a Wall Street Journal Article.
When the lighting company Leucos announced recently that it was debuting a line of lamps by Eva Zeisel, even the collecting cognoscenti had to do a double take.
Ms. Zeisel is one of the great modernist designers of the 20th century. But what was she doing in the 21st? She was born around the same time as W.H. Auden, who’s been gone for nearly 40 years, and Frida Kahlo, nearly 60. Turns out that at 104, Ms. Zeisel is still creating her “things,” as she calls her designs, for companies ranging from Kleinreid to Design Within Reach.
The definition of a survivor, Ms. Zeisel was born in Budapest, went to Berlin for the glamorous period of the 1920s and then to Russia in the ’30s. “The arts from Russia seemed fresh and appealing,” she said. “So I decided to go and see what was behind the mountain.” There she had a run-in with Stalin, who imprisoned her for 16 months.
In 1938, she arrived in New York with $67 in her pocket and was given the first-ever one-woman show, seven years later, at MoMA. These days, she weekends near Nyack, N.Y., where she spoke to us about her life and latest works. (Read the full article here.)
Eva Zeisel was born in Budapest, Hungary on November 13, 1906. Over the last 86 years, she has become a world-renowned and honored designer. The most prestigious of all Eva’s accolades came in 2005 when she received the National Design Award for Lifetime Achievement by the National Design Museum, Smithsonian. At 99 years old, she could have used the award to bring closure to a very successful and productive career. However, Eva chose to continue to design new works of art to share with all of us.
proactively punctuating life with the plausible, powerful possibilities of positive thought presented through a plethora of “P’s”.
Few games are more fun than a battle of ping pong. It’s blood-pumping, spirit-lifting, good old-fashioned fun. And that’s really about all there is to to say ~ except maybe to suggest you find a friend, a table and go play!
An old friend from my high school days found these early drawings of mine in our old high school art & lit magazine. (Not that we’re old or anything…) So I thought some of you might like to see what kind of stuff I did as a teen ~ ancient history now (even before the rubber cement period) ~ when #2 pencils and I were starting to move into a more serious relationship.