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May 24, 2014 In art, books, branding, craftsmanship, creativity, design, presentation, words and language By Patricia Saxton

Book Cover Candy

I’m reading. Not a surprise, I realize, but isn’t that what holiday weekends were made for? Reading, writing, making some art, getting one’s hands full of garden earth, visits with family or friends. Point is: not working. Connecting with that sometimes elusive concept called relaxation.

So while the sun is trying its best to make a solid show and my daughter has gone off socializing, I’ve got a good book, a cup of tea, a pile of new dirt and plants ready for planting. (And yes, hot fudge on the stove for later.)

It’s a really good book so far ~ Sue Monk Kidd’s The Invention of Wings. Again, this isn’t particularly surprising, but what did strike me was the uninteresting cover. The “ordinary-ness” of it. It feels very safe, very stock-photography-esque. It’s pleasing enough, but nothing that would have grabbed me had I not already been interested in the author.

I’ve talked about this before, but I’ll say it again ~ we do judge books by their covers. It’s our first impression. That first impression may or may not inspire us to read the back matter (what’s it about?). The back matter may or may not spur us on to actually open the book and read the first few lines. At this point, if the first few lines read well, you’re more than halfway there and your cover has done its job. If the first few lines read poorly, the cover may have surpassed its content (one might give it a few pages, even a chapter to decide~ but at least it got you to look.) Reviews, of course, give books some major traction, but if you’re at all picky about how you spend your time, you’ll probably still go through these steps before plunging in. And it all starts with the cover.

Book covers can be fantastic visual candy. And they actually can make or break a sale. As a graphic designer, and as much as I both write and read, creating covers is a natural extension of what I do, but not one many know about. So I thought I’d share some with you below. So you know.

P.S. The sun, by the way, has lost. The clouds have won, the rains have come. And now, if you’ll excuse me, I’m reading. : )

May 19, 2014 In communication, craftsmanship, creativity, intelligence, life and the universe, skill, words and language, writing By Patricia Saxton

Writing by Hand

In my late teens I had the opportunity to have my handwriting analyzed. It was the coolest thing. An old woman in a hospital, whom I never personally met, looked at my swooping p’s and looping y’s and sharply crossed t’s, the height of my h’s, the slants, the weights, the close-or-far-apartness of the letters, if they were small or large, tidy or swirly. What she discovered may well have been the best description of me I’ve heard. Her analysis also told me things I didn’t yet know, almost like a fortune, or a map. It was pretty fascinating.

Which reminds me that the physical, pen-in-hand act of writing is not only a form of communication, it’s a form of self-expression; another window into the soul.

It’s also a fabulous collector of thoughts. Sometimes a pen can’t keep pace with my thoughts, but sometimes the slower act of hand-writing keeps my thoughts in line, keeps them from running off to oblivion, balances my mood. Plus I get to make doodles on the page. (Silly? Not really – it’s actually part of the thought process.)

Something happens between the mind and the hand that’s different than what happens between the mind and the keyboard. Maybe it’s simply that hand-writing is organic. It’s breathing deeply instead of a quick lap around the track.

There’s a place for both the handwritten and the typewritten – one is not “better” than the other; in fact both are good, and both are necessary – but even without the scientific evidence at my fingertips (no pun intended), I am certain that both methods exercise different parts of the brain, some how, some way. (And yes, there are differences between printing and script to form our letters as well.) The entire mind-body-spirit is involved ~ how we think, how we process, how we sit, how we move our hands, how we feel. There’s got to be physiological implications.

And so, while this may be old news, the fact that teaching cursive writing in school is being phased out of the curriculum just blows my mind. I can’t believe it’s even up for discussion, much less already happening.

What about hand-eye coordination, thinking patterns, better comprehension when writing things down “painstakingly” by hand, knowing how to spell and use proper grammar and punctuation without spell-check tools, and yes, expression and creativity?

When it comes to writing by hand, there’s so much in the pro column here, and, as far as I can see, a big zero in the negative column. What is so damn important that basic penmanship skills get the boot?

All this really brings my inner cynic out front. Anyone interested in positive teaching, in my opinion, wouldn’t even consider taking this out of our schools.

Sure, electronic-based writing is more practical, and block-letters are easier to master than script. But there’s enormous value in writing by hand, and to imagine this capacity no longer existing is a truly disturbing thought. The very human-ness of writing by hand should not be relegated to dusty archives, hidden corners, calligraphers and ancient texts.

Please teach your kids to write! (I can hear it now… “But why do I have to do this? I’ll never use it!) Are we to be tethered to electronic devices for everything we do? (Next it’ll be paints. No more Grumbacher. Good bye Winsor & Newton! Why use real paint when you can do it with software?) Who decides the value here? How is that value measured? Will we cordon off whole parts of our brain?

There’s just too much telling people what to do, what to think, how to think, how to feel, how to be. Stop it already. And let kids learn to write. Print letters and script letters. By hand. It’s important.

And not that this is the crux of my argument, but you know, maybe they’ll even gain insights from having their handwriting analyzed one day… their own personally unique formation of words on a page, from head to hand to paper.

May 6, 2014 In appreciation, art, communication, design, words and language By Patricia Saxton

Drunk on Writing

Maybe this explains the obsession. The compulsion. The “have to” about writing.

Some of you know the feeling. Some don’t. And if you don’t already have the affliction, you probably won’t catch it. Like many things, it’s probably inborn, a matter of physics ~ how one’s electrons, protons and neutrons are arranged, pushing and lighting the way towards pen and paper (or keyboard). But wherever it comes from, I think it’s more an innate “must” than an out-and-out escape route from reality (although that can be a nice side effect) ~ after all, by nature, the act of writing is a private affair primarily between yourself, your muses, and usually a good thesaurus.

You can certainly learn to write. You may feel inspired to write. You may have a love of language. You may have things you want to say. Even if not unmistakably inclined, you can become a decent writer.

But if you don’t feel compelled, if you don’t want to write, if it’s a burden or a chore, if you don’t feel like you’re not breathing properly until you write ~ then you probably don’t have writer’s curse, in which a life without writing is an impossibly awful imagining.

As for me, I’ll take another round as long as I can assemble sentences. It’s a good kind of drunk. And I’m sure glad there are others who feel the same way, or what a dry world it would be.

April 25, 2014 In appreciation, art, color, communication, creativity, design, drawing, fine art, illustration, imagination, inspiration, life and the universe, philosophy, skill, words and language, work and play By Patricia Saxton

A Plethora of P’s / #70: Pen (and Ink)

proactively punctuating life with the plausible, powerful possibilities of positive thought presented through a plethora of “P’s”.

“The pen is mightier than the sword.”

I’ve always liked this quote. It assumes the great power of words, language and intention, which are just a few of my favorite things, along with pens themselves, of course.

[Side note: I’d always assumed this was a line from Shakespeare. Sounds like it ought to be, right? But I was wrong. This is what learned: This line was quoted in 1839 from a play written by Britain’s Edward Bulwer-Lytton, both an Author and Politician of his day. No one remembers the play (Richelieu: or, the Conspiracy) but we’ve all heard the line. Apparently he’s also famous for the opening “It was a dark and stormy night”. I just love learning new things. 🙂 ]

In any event – back to P for pen. This is actually a guest P, created by a friend of mine and presented as a surprise, which truly delighted me. She’d taken a Zendangle course, and this was something she produced. Isn’t it great?! I adore it.

It’s also great because pens have always been an important positive in my own world. I am, in fact, most comfortable with a pen in hand ~ I just think better with a pen in hand. I’m also able to doodle if things are dull on the other side of the table or the other end of the phone, or in meetings, or just as an unconscious release of nervous energy. They’re great for making lists, and of course, for jotting down flashes of brilliance (that may or may not be brilliant on second look). My thoughts flow most easily when writing. As if the connection between mind and hand takes just enough longer than the one from mind to mouth, allowing for a richer expression, rather than a quick one.

Pens and I go way back. As a child I was always drawing and writing. My mother, a poet, was always writing. My parents had fallen in love through letter-writing. Pens were the natural order of things.

Then as my drawing skills developed, I got more and more courageous and soon stepped out of my comfort zone with pencils (which can be erased) to pen and ink (which cannot be erased). This is when I learned, sometimes the hard way, that mistakes a.) happen and b.) are not always remedied, but c.) can sometimes be made into something better. A life lesson from an unlikely source, but a good one I’ve carried with me.

So I, yes, am grateful for pens. And I do believe they are mighty. <3

Here are a few pen and inks from my archives.

(see our ongoing Plethora of P’s here)

March 27, 2014 In appreciation, art, color, communication, creativity, design, illustration, imagination, inspiration, life and the universe, philosophy, words and language, work and play By Patricia Saxton

A Plethora of P’s / #69: Palette

proactively punctuating life with the plausible, powerful possibilities of positive thought presented through a plethora of “P’s”.

Palette is defined as a range of colors, especially those typically used by an artist. But we all have what I think of as a personal palette. Our palette can reflect how we feel ~ or project how we wish to be perceived. What we wear, the colors in our home, foods arranged on a plate.

And surely our personalities have color too ~ the sunny, the brooding, the comic, the serious ~ the whole wide range. And within that, are the shades of our moods. And around all that, there are the colors in our aura. (Imagine, what a kaleidoscope of brilliance we all must make together!)

And beyond all that ~ beyond what they may represent, beyond their gift of making the world more, well, colorful ~ colors, in my opinion, in all their tones and hues and flavors, are essentially magical. They can calm and soothe, they can excite and energize. They can heal, and they can disrupt. They’re emotional. They tell stories. They’re loud or soft, subtle and sensitive, harsh, tender, generous; they’re unyielding, protective, submissive, lighthearted, stormy, hot, warm, cool. They are infinite and inexhaustibly interchangeable. There are worlds within worlds of just the color red alone. The whole spectrum of expression is unfathomable.

So, with all that possibility, you can mix your palette to your heart’s content ~ a dash here, a broad stroke there, a sprinkling of this, a spot of that. (Note: mixing with love and a generous pinch of harmony produces the best results.) However you please, there’s magic for the making, if not only a lift for the spirit.

(see our ongoing Plethora of P’s here)

March 23, 2014 In appreciation, art, black and white, creativity, graphic design, life and the universe, philosophy, poetry, words and language By Patricia Saxton

Seizing the Moment to Do Nothing

Last weekend I spent an entire day reading a book. (I’m a pretty avid reader, but even by my standards, this was a lot.) Not because I didn’t have anything else to do. Life’s administrative duties were still there, lurking, prodding, waiting in various degrees of perpetual disarray, clamoring to be sorted, cleaned, tended ~ things I’m normally all too willing to oblige with great habit of responsibility and an ever-present urge to be productive. This doesn’t even count the paintings wanting to be painted, the stories to write, music to make, dreams to chase. Toss some work in there, too.

For a good 12 hours, I abandoned all of it, hermitting myself inside the pages of a book. “Just because.” Phone off, computer off. Very unsociable, actually.

And life went on. It was lovely.

I’m not suggesting that reading resembles a waste of one’s time (au contraire!), but it does involve letting go of more “pressing things”. That said, I’m always a bit envious of people who seem capable of being unproductive with great and natural ease. But it’s never too late, and I’m still learning. Balancing the have-tos and want-tos and need-tos and can-waits. Knowing when to be and when to do, and trusting that it all has a place in this beautiful, chaotic, imperfect dance of life.

……………………….

Beauty and chaos
Light and shadow
Sun and moon,
The dance of life.

Balancing
on shifting sands
on best intentions
Drinking from the well
of change ~
Ebbing, flowing,
Breathing, being,
Marvelously
Magnificently
Irresistibly
flawed.

~ P. Saxton

March 2, 2014 In art, creativity, life and the universe, philosophy, photography, poetry, travel, words and language, work and play By Patricia Saxton

Margaritaville and The Lost Island

While the planet continues to shift, rearranging the northeast into some kind of Arctic replica, I took some time away, letting my muse wander among talking dolphins, small dragons and lazy hammocks under a hot, shiny sun. Had a cheeseburger in paradise, looked for Jimmy Buffet’s lost shaker of salt (thought it might be in the old Hemingway home, but no). And I pondered which island on the horizon might be the one that my mother purchased years ago.

Yes, my mother bought an island. She would, not often, but on occasion, do things like that. Buy a convertible when a station wagon would be more sensible. Write a letter to the Queen of England. Buy an island. Maybe to defy an orderly life, to make dreams real, to remind herself during times of inevitable routine that she was more than laundry folded and meals on the table; to remind her four children that our dreams were also valid.

We never saw the island. I’m honestly not sure she ever saw the island. The island that might one day be a family gathering place, or an artist retreat, or a healing place, or who knows what ~ a dream without limits. It could well be that the island was no more than a single palm tree on a lump of earth bulging from the Gulf of Mexico. Or it could have been a small but bona fide piece of paradise. It was sold, so we’ll never know ~ but the idea of it ~ the loveliness, the throw-caution-to-the-wind of it, the hopefulness and cheer of it, lives on in me.

………………

An Island Lost

Stars like freshly polished gems,
Close enough to touch –
A sprinkling of stardust
Soundlessly rests on giant palms
And sweeps across the sea,
A silent chime,
The whisper of a song
With familiar, forgotten words from
The language of dreams.

How far the distance between then and now?
A heartbeat? A century? All of time?

A story unfinished, a vision unseen
Green and blue on sandy shores
Ripe with adventures not taken.
A red sail, a setting sun,
Flowers in our hair.
An island lost awaits
A barefoot waltz,
Promising secret treasures.

But instead, a more reliable path.
Feet on solid ground. And yet ~

And yet,
A cactus grows in winter, and
Mysteries breathe in hickory trees
Where cardinals, red and fit,
Watch from lofty branches.
A poem from the future,
And guiding stars
like freshly polished gems,
Close enough to touch –

Stardust falls on me,
On you,
Then, and now,
There, and here
Inside this sky
Where dreams wander
And Prometheus plays
And Shakespeare sings
And Copernicus soars
And hands are held
And laughter swells
And love is forever
And ever.

~ P. Saxton

January 31, 2014 In appreciation, art, books, inspiration, life and the universe, words and language By Patricia Saxton

Friday Night Book Club: Confessions of a Book Lover

She had me hooked by the third paragraph. As it should be.

Page 1, The Signature of All Things / Elizabeth Gilbert

A friend of mine taught me the art of judging a book by its very first line. Of course, while that is very telling, we generally give it a little more time ~ at least a full page! Sometimes a lot more than that. But the truth is, I’ve become more discriminating over time. If I’m not adoring a book, I’m less apt to finish it than in years past, when I felt mysteriously honor-bound by some kind of self-imposed commitment to follow through. But no more. Fortunately, there’s no shortage of good books, so all this haughty discernment works in my favor.

And really, there’s nothing that compares to a settling in to a comfy chair (or the floor, which is often where I plop) with a cup of tea and an excellent book. Oh the places you go, the people you meet, the things you feel. The joy! For better or worse, I confess to often preferring a good book to live company. Depends on the company, naturally, and the timing. Sometimes the book outranks all.

But I have another confession. After years of tv drought (I’m really and truly not a tv person. I really and truly don’t know what’s current and cool to watch, and I have so much else to do! Who has time! But …), I discovered Netflix and Downton Abbey. Watched all 4 seasons in about a month. Then I discovered Breaking Bad. (WOW!) Again I watched all 5 years (or however long it was) in about a month’s time. Yes ~ I binged. I loved every minute. And instead of picking up a book, I watched. There, I’ve fessed up.

But here’s the flip side – there just aren’t nearly enough great shows as there are fabulous books, so reading is still king on my hit parade.

(Alright, so maybe this wasn’t such a dramatic confession, as the title lead you to believe. But it was a good title, wasn’t it! Go on, give me that. : ) )

It did get me thinking, though, about what makes any of it worthwhile, whether words on a page or moving pictures on a screen. What draws me in to some and not to others? (keeping in mind that I’m highly fussy) It’s the same for each medium and it’s very simply, purely and only about great storytelling. That means brilliant writing. Personable, intriguing characters. Interesting plots, invisibly rich details/filming. You’re immersed. You’re engaged. You care.

You have to care. Or it’s not worthwhile.

And thankfully there’s a wealth of it out there, because it’d be a terrible thing to be bookless.

………….

For any book lovers out there, we gather on the first Friday of each month, if you want to read along virtually. So far we’ve read the outstanding And the Mountains Echoed (Khaled Hosseini), the fascinating The Reluctant Fundamentalist (Mohsin Hamid), the not-as-compelling The End of Your Life Book Club (Will Schwalbe) ~ and now it’s Elizabeth Gilbert’s The Signature of All Things… which as you probably figured out, had me hooked by the third paragraph.

I also have a list of books on my reading room page of this blog ~ as well as a GoodReads author page (also with a list) if anyone wants to connect over there.

Peace, love, happy reading.

December 27, 2013 In books, photography, words and language By Patricia Saxton

Get Lost

When I was a kid, I loved hiking deep into the woods behind our home, going as far as I could out of sight of any signs of humanity – no buildings or roads, just me, the trees, the ferns, the deer and rabbits and babbling brooks.

If I went with a friend, we’d pretend to be Lewis and Clark. Exploring new lands, meeting natives, hunting the wildlife. If I went by myself, I’d imagine how I’d cross the wildest rivers, how I’d fight off any villains, how the animals would be kind to me, and how I’d get back home if by chance I did truly lose my way… but I knew that last bit wouldn’t happen. I trusted my sense of direction then, and I do now. Unless I’m in a hurry, getting lost doesn’t bother me. I guess I’ve always felt a sliver of excitement about the unknown.

And so it is with a book. You might know the gist of a story, but you don’t know exactly how it’ll unfold; how that book’s particular stringing of words will feel, what pictures will form in your mind’s eye, how the characters’ voices will sound to your inner ear. You don’t know whether you’ll laugh or cry, you don’t know what you might learn, you don’t know what parts of yourself will become undone or rediscovered or lit up. Once in a while you even get bored and jump ship. But most of the time it’s an adventure, a grand foray into untapped territory, a magnificent way to get lost for a little while (without wondering how you’ll get back).

So, after the holiday comings and goings, after the hubbub has quieted and the “have-to’s” aren’t so pressing, I can think of little better than opening a good book. By the fire, with tea, (and yes, some chocolate waiting on the stove) ~ and get lost for a bit. Just me, the words, the pages, the plots, and maybe even some villains and babbling brooks.

P.S.: I have a partial listing of books I’ve read over the years, with favorites noted, here on my “Reading Room” page. I also have a shelf of them over at GoodReads if anyone wants to follow and share good reads. 🙂

December 13, 2013 In appreciation, creativity, design, imagination, inspiration, intelligence, life and the universe, poetry, words and language, work and play By Patricia Saxton

Poetry as Ruler of the World

“I say, ‘Get me some poets as managers.’ Poets are our original systems thinkers. They contemplate the world in which we live and feel obligated to interpret, and give expression to it in a way that makes the reader understand how that world runs. Poets, those unheralded systems thinkers, are our true digital thinkers. It is from their midst that I believe we will draw tomorrow’s new business leaders.” ~ Sidney Harman, CEO Multimillionaire of a stereo components company”
― Daniel H. Pink

I stumbled upon this quote this morning, and it reminded me that when I read Daniel Pink’s “A Whole New Mind” a few years back, I was (given what I do) thrilled at his theory that right-brainers will rule the future. There’s a place for the creative, the innovative, the out-of-the-box thinker ~ more than ever! And not just any place, but a valued place. And not just a “dusting off the weariness of life” kind of valuable (although that’s important!), but a place that moves, shakes and shapes our world.

Of course, we all have elements of both; right and left brains. And perhaps because of a genetic blend making me feel fairly balanced in that department, I dislike labeling ~ or assuming, for example, that if someone is logical they aren’t creative, or someone who’s creative can’t be logical, because that’s simply not true. We have tendencies towards one or the other, most definitely, whether innate or learned, but both aspects reside in most people’s brains to some degree, and I presume for good reason. (So when my very creative daughter complains about having to learn Math, I insist that she needs to exercise that part of her brain to stay healthy and wise and grounded, and not end up with both head and feet in the clouds. “Use it or lose it” has real meaning here.)

That said, and putting aside my own personal glee at the prospect of “right brains” leading the future, the theory does have merit, especially when you consider how many previously human-held jobs have been replaced by increasingly efficient, computerized functions – freeing up some of us to be more creative and others to flounder for their bearings.

And while I’m not completely convinced that poets should be managers, I am convinced that there’s enormous opportunity for unlocking the floodgates of our ingenuity when more menial tasks are automated. And I think most people perform better when they’re inspired, rather than watching a clock, regardless if they’re mathematically or artistically driven ~ both of which can be dry or highly creative functions, depending on any given person’s combination of atoms and molecules, environment, and spirit.

To do anything well, to grow, stretch boundaries, reach the moon ~ to live better ~ we need to think big and welcome a fusion of the intuitive with the intellect. And really, it’s always been so, when great things have been achieved, but maybe we’ll honor it more. Maybe poetry will change the world!

So why not change even today ~ open your mind to the galaxy, and get to work.