Dylan's 70th Birthday

Scraggly and unkempt. Small. Skinny. Brilliant.

Bob Dylan’s piercing blue eyes defy his understated presence; his talent for song defines him.

In some ways, Dylan is an acquired taste. So rough around the edges, but so genuinely gifted. You like him or you don’t, but you always admire.

Looming larger than life during the 60’s folk music revolution, his scratchy, often off-key voice reconfigured our concept of singer-songwriter. His words resonating with millions, he always seemed a bit reticent on stage. Like he had someplace he’d rather be. Not a big smiler.

But we love his realness, his mind, his lyrics.

Some call him the greatest poet of our time. And when the poetry lines up with a simple acoustic tune, something close to magical happens. He’s every bit as remarkable as they say.

Philosopher, poet, revolutionary, freedom-lover, troubadour, balladeer, prolific songwriter, living legend. Who would have thought Bob Dylan would be anything but forever young? But then again, he‘s had a lot of work to do, and we’re glad he’s stuck around.

Happy Birthday to one of the very best.

2

A Plethora of P's / #21: Perspective

proactively punctuating life with the plausible, powerful possibilities of positive thought presented through a plethora of “P’s”.

– ♥ –

“People who look through keyholes are apt to get the idea that most things are keyhole shaped.”  ~ Author Unknown

So much of life is about our point of view. Are you so close to something that you miss the bigger picture? Or do you soar above, taking in a broad view, missing the details?

Is your view softened by “rose-colored glasses” or do you see only the hard, harsh angles? When you walk, do you look up, look down, look straight ahead?

Are you near-sighted? Far-sighted? Do you look back, look forward? Do you see what’s right in front of you? Do you consider situations from all sides?

Our perspectives change, of course. But like all thought, we can direct that perspective towards the best possible light.

2

A Plethora of P's / #20: Power

proactively punctuating life with the plausible, powerful possibilities of positive thought presented through a plethora of “P’s”.

– ♥ –

I know, not the image you might expect… Power often connotes masculinity; a certain brawniness. It also gets mixed up with things like control and willfulness. Or conjures up motors and engines, watts and voltage.

But the essence of power is energy. It’s that energy that creates the ability to do great things. It’s a force that inspires and sustains. And it’s a force that’s strongest when it comes from the heart. Uncontrived and elevated.

Power is neither masculine nor feminine, and doesn’t care if you’re rich or poor, fat or thin, black, brown, white, red, yellow, green, purple….  We all have power within ~ power to give, to heal, to love.  We have power to generate, and accomplish, the stuff of dreams.

(Tell that to your mind.)

2

Celebrating Mom

Carolyn Naught Saxton / 1920 - 1980

When I was a little girl, my mother was “my world”.

She did all the things you’d expect a Mom might do, like hold your hand, read you a story, fix meals, teach manners, dry tears, cheer you up and on.

As I grew, I saw that she loved to give. And that she loved to laugh. She loved people and loved life, and tried to worry only on Tuesdays.

Lucky for us, she also happened to be an accomplished poet. Her works appeared in anthologies as early as her teens, and her last, perhaps greatest work, was the collection of sonnets published in her book The Pine and The Power.

My mother left the world much, much too soon ~ but she left gifts. Treasured, timeless words; gifts from the heart, mind and spirit.

So on this day reserved for mothers, I’d like to share some of those words. I share them, as I did last year, in honor and life-giving celebration of mothers near and far, here or remembered. Happy Mother’s Day!

…………………………..

God help our children to transcend the dark

And walk the earth with dignity and cheer;

God help them seek the mountains, persevere

The road that twists through thorn and tanglebark,

Ascending finally where eagles mark

Their point of vision. Help our children find

Two masters ~ one the spirit, one the mind ~

And rediscover constancy of heart.

Help us to find cathedrals in the skies,

A will to walk the long uncharted mile;

(The will to find in winter’s legacy

The ochre sands from which the lime trees rise!)

Help us to know the measure of the child ~

To live in time and in eternity.

© Carolyn Naught Saxton

…………………………..


8

Creative Duet: The Mind-Boggling Antoni Gaudi

Spanish architect Antoni Gaudi is known for his engineering genius, but there are clearly so many other elements at work in his work that he is far more than “architect”.

He was an artist. Buildings were his canvas. And those buildings are grand treasure troves of design and unbridled creativity.

Revered worldwide as one of the most important modernist style architects, Gaudi lived from 1852-1926. “Over the course of his career, Gaudi developed a sensuous, curving, almost surreal design style which established him as the innovative leader of the Spanish Art Nouveau movement. With little regard for formal order, he juxtaposed unrelated systems and altered established visual order. Gaudi’s characteristically warped form of Gothic architecture drew admiration from other avant-garde artists.”*

Gaudi takes “thinking outside the box” to whole new levels. His extraordinary works, many of which reside in Barcelona, are movement and dance, they’re delicious sugar-laced monuments with creamy frosting; they’re all marshmallows and gingerbread, sand-castles, stone, glass and iron; they’re original, dramatic, striking blends of angle and color.

I marvel at the ingenuity and the boundlessness. Fantastic. Illogical. Stunning.

*References
Dennis Sharp. The Illustrated Encyclopedia of Architects and Architecture. New York: Quatro Publishing, 1991. ISBN 0-8230-2539-X. NA40.I45. p61.
Muriel Emmanuel. Contemporary Architects. New York: St. Martin’s Press, 1980. ISBN 0-312-16635-4. NA680.C625 1980.
0

A Plethora of P's / #19: Praise

A sincere compliment, a recognition of good deeds, admiration, applause… “a gold star for good behavior”, a high-five.

Praise knows no boundaries, no judgments. It can be as quiet as one appreciative word, or a thunderous, symphonic tribute. And there’s no one amongst us – saints to sinners, paupers to kings– who doesn’t benefit from receiving, or giving, a genuine expression of praise.

Praise lifts us up. Sprinkle it around your world, and high-five generously.

4

Natural Beauty

How could anyone not delight in this stuff of spring?

I think it’d be impossible to see this tree, to take a good look at its magnificent blossoms (that come like a gift, year after year after year), and not be filled with something that feels an awful lot like hope and cheer.

It’s scrumptious, magical, perfection from the best designer we’ll ever know.

0

Creative Duet: Kahlil Gibran

“All our words are but crumbs that fall down from the feast of the mind.”  ~ Kahlil Gibran

the-prophetAnd what an incredibly rich feast lay in the mind of this poet/philosopher/artist!

Best loved for The Prophet ~ (considered his greatest achievement, translated in more than 20 languages, and of real note, has never been out of print since its first publication in 1923) ~ Kahlil Gibran’s essays, parables and poems are some of the most inspirational and cherished works ever written.

Rarely has one individual written consistently with the depth, sensitivity, and mysticism of Gibran. He has literally touched millions of hearts with extraordinarily beautiful – yet very accessible – prose. His words rise from the soul, easily intermingling divinity and humanity. His wisdom is truly timeless.

Gibran’s path started early; his gifts publicly recognized while still in his teens. But that recognition was not for his writings. First, he was an artist …

Around the age of 15 his drawings were published on book covers, and by 21 his works were being exhibited in Boston galleries. A few years later, he was in Paris, studying with Auguste Rodin.

gibran_art2

I find this really fascinating in light of the fact that Gibran’s youth (in Lebanon) was one of poverty, with no formal education – and that after emigrating to the U.S. in 1895, his mother raised the family alone by peddling lace and linens.

So how did his opportunity change so profoundly?  He went to public school ~ nothing special there. The key seems to be that at the same time he also went to a local art school, where his artwork caught the eye of his teachers. A couple of those teachers had significant associations within the Boston community, and were compelled to open some fateful, well-connected doors for the young Gibran that inevitably lead to his success.

The simple fact that he arrived in this country at the age of 12 and was already making an artistic imprint during his teen years, speaks volumes about his remarkable abilities. And I’m one of countless who are no doubt grateful for the teachers who perceived greatness in their midst and opened those doors.

Gibran was one of the world’s most brilliant minds. Though known today for his writings, his talents manifested with equal eloquence and exquisiteness in both the visual and verbal realms ~ with expressions that will continue, indefinitely, to uplift, guide and reach the innermost spaces of people’s hearts.

gibran_art1

…………………………….

“His power came from some great reservoir of spiritual life else it could not have been so universal and so potent, but the majesty and beauty of the language with which he clothed it were all his own.”  ~ Claude Bragdon

…………………………….

Kahlil Gibran was born on January 6, 1883 in Lebanon (then a Turkish province of Syria). He died on April 10, 1931, in New York City. If you’re interested in learning more, resources about his life abound – and if by chance you haven’t read his works, particularly “The Prophet”, I urge you to do so!

…………………………….

8

A Plethora of P's / #18: Pizzazz

proactively punctuating life with the plausible, powerful possibilities of positive thought presented through a plethora of “P’s”.

– ♥ –

Sure, sometimes we just need a nap.

But … sometimes what we really need to do to recharge is to add a little pizzazz; a little flair. A pep to your step, some get-up-and-go spirit. A dash of red, a splash of purple, a pinch of pink, a lime-green wink. A great big bunch of wildflowers set on the table, a beaming smile when you feel a frown.

Put some strut in your salad, some punch in your pasta, panache on your pizza. Break out of the mold for an hour, a day, a year…

Let some sparkle light your world, welcome splatterings of zing and zeal and zest amongst your thoughts. Work the muscle in your attitude. Dance in your kitchen. Use new words. Paint with different colors.

A touch of pizzazz is feel-good stuff. So, go ahead and surprise yourself. Go ahead and shine.

5

Creative Duet: E.E. Cummings

© e.e.cummings / self-portrait

“Art is a mystery. A mystery is something immeasurable. In so far as every child and woman and man may be immeasurable, art is the mystery of every man and woman and child. In so far as a human being is an artist, skies and mountains and oceans and thunderbolts and butterflies are immeasurable; and art is every mystery of nature.”

from E. E. Cummings, A Miscellany Revised Edited by George Firmage. New York: October House, 1965.

…………………………….

While I’d never been a huge fan of E.E. Cummings, I adore the above quote. And he certainly earned a great deal of respect and recognition for his inventive poetry. He became, and remains, a household name in literature.

My admiration for his work has grown though, as I recently studied him a little more ~ and learned that he was also a painter. Judging by this self-portrait (and the two at the bottom of this essay), quite a good one, too.

Suddenly my view was broadened. He was no longer the writer of oddly punctuated poetic snippets we were relentlessly fed in school. He was more. He had true depth, and multiple means of expression. I’m newly impressed.

In this great little piece below, E.E. Cummings connects his painting with his poetry. An imaginary interview, it’s part wisdom, part amusement. Enjoy ~

…………………………….

Why do you paint?

For exactly the same reason I breathe.

That’s not an answer.

There isn’t any answer.

How long hasn’t there been any answer?

As long as I can remember.

And how long have you written?

As long as I can remember.
I mean poetry.

So do I.

Tell me, doesn’t your painting interfere with your writing?

Quite the contrary: they love each other dearly.

They’re very different.

Very: one is painting and one is writing.

But your poems are rather hard to understand, whereas your paintings are so easy.

Easy?

Of course–you paint flowers and girls and sunsets; things that everybody understands.

I never met him.

Who?

Everybody.

Did you ever hear of nonrepresentational painting?

I am.

Pardon me?

I am a painter, and painting is nonrepresentational.

Not all painting.

No: housepainting is representational.

And what does a housepainter represent?

Ten dollars an hour.

In other words, you don’t want to be serious–

It takes two to be serious.

Well let me see…oh yes, one more question: where will you live after this war is over?

In China; as usual.

China?
 Of course.

Wherabouts in China?

Where a painter is a poet.

from E. E. Cummings, A Miscellany Revised. Edited by George Firmage, New York: October House, 1965.

…………………………….

© e.e.cummings / marion morehouse cummings in profile

© e.e. cummings / nasturtiums and marigolds


6