A Plethora of P's / #1: Punch

My newest pet project coincides with a most auspicious day: 1-1-11. (I like that!)

And, as happens every New Year, I feel a surge of renewed hope while the words “THIS is gonna be a great year!” ring in my ears.

This year though, with the intention to manifest more of that “something great”, to avoid disillusionment and an almost inevitable sense of “okay, maybe next year”… I’m going to work with one of my favorite subjects: the power of thought. It’ll be an ongoing journey of sorts, shared through words and pictures.

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The trick with “thought” is deciphering which ones are worthy. Of the millions that zip in and around our minds every day ~ consciously and unconsciously ~ how can we let the cream rise to the top? You could call it “thought training”.

Of course there are lots of ways to “quiet the mind”, and they are invaluable tools. Meditation, yoga, strenuous physical activity. Music, dance and art. Acts of kindness and giving. All highly recommended, and sometimes necessary. But that’s not my focus here…   This project is about focusing on what you think. Because what you think engages you with life’s outcomes more than many people realize.

Thoughts can create a better you or a more troubled you. Thoughts affect those around you. Thoughts precede every action. Thought is energy, and it’s potent.

Though we can’t see them, thought forms are as real, possibly more real, than the keyboard I’m typing on. What you think can have enormous power.

As a kid, I was often told to “think positive thoughts”. At some point, that advice seemed too simplistic. In youthful fashion I’d think, “It’s not that easy. They don’t know what I’m going through. You can’t just do that. You can’t just ‘think positively’ and expect everything to become sunshine, lollipops and rainbows”.

But over time I discovered…  that in a way it really IS that simple. You can choose positive thoughts over negative ones. And it does make a difference. A simple twist of thought can change the direction of the moment, the day, the month, the year…  and they are yours to direct!

This is not to say a negative thought should be hunted down and executed, or that having them is “bad”. Remember all those millions of thoughts? They’re not all going to be feel-good, Pollyanna-like thoughts. But the beauty is that you can change them. You can learn from them. You can release them. You can use them to get to a better place, even if it’s just one notch up. It‘s worth the effort ~ and I personally believe most of us have only scratched the surface of the potential power held within our thought patterns.

It’s a big concept yet a simple one, and it’s sometimes easy, sometimes hard to train our thinking. And unless one lives on a deserted island, it’s not just our own thoughts; other peoples’ thoughts can filter in and influence our psyche. When you pay attention, the impact of *thought* is undeniable.

I don’t mean a belabored, obsessive kind of thinking, but more the seed of an idea, the whisper of a deed, the affirmation of beliefs. And whether arriving through your conscious or subconscious mind, tending reaps rewards.

I feel blessed for the positive teachings I was shown in childhood. None of us get through life unscathed though, and those lessons became a springboard for learning how to maneuver some of life’s more intense struggles. They’ve helped me weather many a storm; sometimes when all else failed.

So, this idea for creating a series about positive thinking, expressed through my love of words, art and design, came knocking at my mind’s door. I answered, and here we are.

To make it fun, I decided to use my propensity for “P” words (which may turn out to be a practice run for an entire alphabet, also formed in my mind). Besides, it follows a natural pattern … Patricia, Pencil Points, Peace, P’s ….

So, without further preamble, let’s proceed towards proactively punctuating life with the plausible, powerful possibilities of positive thought presented through a plethora of “P’s”.  :  )

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New & Improved Mermaid Video Debut

Sorry to post this again, but it must be done!

I wasn’t satisfied with the sound quality on my Magnetic Mermaid Toy video. The music itself was excellent, the problem came with the translation inside the video editing software.

Thanks to the collaboration with musician and master whistler (& fellow perfectionist!) David Santucci, a new track was prepared that worked MUCH better in the editing process. Our ears are much more pleased ~ and we think yours will be too. Please enjoy!

http://www.youtube.com/watch?v=dx7BY6EwKs4

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A Conspiracy of Mermaids, Art, Music and a Toy

If you recall the “sneak peeks” I posted a while back, your wait is over. Here’s a special something I’ve been conjuring up for the holidays!

http://www.youtube.com/watch?v=IZ0fB0wJ1U4

For those interested, this video was created with hand-drawings, animated in PowerPoint. I wanted to push the boundaries of what most people think PowerPoint can and can’t do. In that sense alone, I feel a mission was accomplished. But I also wanted to have some fun with it…. which I did!

The vision for the video came to me after it was clear that no one wanted their children to be filmed in a piece that would be shown on YouTube. That was disappointing, since kids really engage with this game and it would have been great to capture their enthusiasm. But, as someone, somewhere, once said, “inside every cloud is a silver lining”. This one came in the form of a happy idea.

And so, this is what happened when an idea + illustrations + PowerPoint + some good music became a video!

Special thanks to composer/musician David Santucci for lending his remarkable talent to this piece. A gifted artist and overall nice guy whose work will soon be available in high-def quality on iTunes; it was a delightful collaboration.

Now I hope you’ll go on over to Amazon and buy the Magnetic Mermaid Dress-Up toy and make some kids very happy this holiday! :  )

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Andrew Bird: One-Man Orchestra

In a word: impressive.

From TED: Musical innovator Andrew Bird winds together his trademark violin technique with xylophone, vocals and sophisticated electronic looping. Add in his uncanny ability to whistle anything, and he becomes a riveting one-man orchestra.

On a personal note, it’s interesting that I discovered this, and a few days later, my teen shared one of her favorites songs from … Andrew Bird. Bells went off, and I thought about how cool that we unknowingly shared this appreciation. I also happen to really like the cover of his CD. I’m a fan.

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When It's Wrong to Redesign a Brand

Much time, and probably a lot more money, was spent making recent logo changes on some big company re-branding efforts.

EXHIBIT A:  Tetley Tea.  Tom’s of Maine.  The GAP. (old on left, new on right)

The question I ask: “Why”? Have sales been down? Was company morale low? Were they experiencing a scandalous attack? Were decision-making-someones simply bored?

Now, don’t get me wrong ~ I’m all about  presentation and the power of “look and feel”, and if any one of these companies had asked me to give them a redesign, I would have gladly obliged. But – not to sound immodest, as I believe most designers given the opportunity would say the same thing– I would have handled it quite differently, and I’d like to think, more effectively.

One lesson I would apply: “if it ain’t broke, don’t fix it”. This is the part of “Branding 101” known as consumer recognition.

Brand Connections …

Big Brands elicit a kind of personal connection – for better or worse, we make mental, even emotional, associations with how they look. And that association comes from recognition, which stems from the basic concept of consistency.

For high-profile brands, the success derived from established logo/packaging recognition can seriously outweigh whether or not a look is amazing.

As shown in “Exhibit A”, Tetley’s old package was far from hip or upscale ~ but, as a tea drinker who personally loves the smooth, full-bodied flavor of Tetley’s British Blend, I can vouch that the old package says “rich flavor” much more than the new package, which (I truly hate to say) looks more like packaging for a feminine product.

Tom’s, another brand I enjoy, previously used friendly, round shaped bottles and a graphic treatment that worked well with its natural product, whereas the new look reminds me of a bad Web 2.0 design in an oddly shaped container.

As for GAP, the logo may not have been exciting, but it was solid with really nothing wrong.

Doing it right….

For companies/products with already high recognition, rather than reinvent the wheel, redesigns would best be served by tweaking and updating.

EXHIBIT B:  Morton Salt.  Ronzoni.

Morton and Ronzoni made changes with the times, without shocking overhauls. They’ve retained their original intent and managed to successfully alter their look by doing it gradually, with key elements maintained and integrity in tact.

The message being, don’t send your customers on a wild goose chase trying to find your *new and improved* packaging, OR throw them into a tizzy because their familiar, trusted product got a makeover and a new doo, like a friend who’s trying to be, or is turning into, someone else.

Beyond the fact that many people don’t like change, there’s something to be said for the comfort of familiarity in a world that moves too fast and holds many a slick deal.

On the other hand, improvements can be refreshing. Kind of like when you’re loathe to part with an old, favorite shetland sweater ~ but that nice new cashmere in a similar style and color might be hard to resist.

Refreshing is good. But different and unfamiliar is not a smart promotional move. Why discombobulate, and possibly alienate, your audience? For what purpose?

To redesign or not to redesign?

Okay, so maybe the Tetley, Tom’s and GAP folks had good reason for the change. Let’s go ahead and assume the most practical reason: lagging sales or market competition.

But let’s also put it out there that the cause of lagging sales or struggle with market competition just might have more to do with things much less glamorous than a logo or fancy packaging ~ things like business plans and marketing structure, advertising strategies or customer awareness issues.

So that usually, and particularly in the case of well-known companies/products, changing the logo is not the remedy.

(Worth noting at this point … if you’re a start-up company, or your business has been around but floundering in a sea of mediocrity, by all means, run to a great designer. Boosting the look of your branding may be just what’s needed to boost momentum and shift the energy.)

Well, what’s done is done (except in the case of the GAP, who apparently quickly reverted to their original logo after public outcry! ) … but the questions remain:

1. Is it worth the shake-up to completely re-brand a good thing? (I think not.)

2. Will re-branding a good thing turn the consumer away? (Again, I think not… although you may whine, as I have. But if you love Tetley tea, you won’t stop buying it because you don’t like the new package.)

3. In the end, was it worth the time and money to do all that dramatic re-doing?  (Right … I think not.)

4. Could that time and money have been more wisely used? (Most definitely, yes.)

Conclusion: Sometimes it’s wrong to redeisgn a brand. I rest my case.

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"Where Is My Vote?" ~ A Powerful Design Exhibit at New York's School of Visual Arts

Inspired by an email from an Iranian photographer reaching out for worldwide artistic support to raise awareness for Iran’s Green Movement following the 2009 Iranian elections, the School of Visual Arts has put together an incredible collection of posters, designed by some of the greatest names in graphic design, including R. O. Blechman, Cathie Bleck, Seymour Chwast, Ivan Chermayeff, Milton Glaser, Robert Grossman, Anita Kunz, Yossi Lemel, Jennifer Morla, István Orosz, Woody Pirtle, Andrea Rauch, Ralph Steadman, Gary Taxali, James Victore and Massimo Vignelli, among others.

This display is “design as a social tool” on a grand scale and at its most impressive.

Below are just a few of the 150 potent pieces. You can see them all Social Designzine,  as well as watch the video below of author, design historian and SVA MFA Design Dept. Co-Chair Steven Heller discussing an interesting, in-depth look at the show’s meaning.

Copyright, Cathie Bleck

Copyright, James Victore

Copyright, Massimo Vignelli

Copyright, Milton Glaser

Copyright, Yossi Lemel

The exhibition runs through September 25 at The School of Visual Arts, Visual Arts Gallery, 601 West 26th Street, 15th Floor, New York, NY.  For more information, call 212-592-2145 or visit SVA’s exhibit  site.

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Week 52: "52 Weeks of Peace"

As the “52 Weeks of Peace” series comes to its inevitable end, it’s my hope that the spirit of mindful peace will carry on long after the last posting. I hope you’ll find peace in unexpected places ~ and nurture its presence. I hope you’ll seek it, recognize it, allow it, and share it. There’s great power there… beginning with you, me, our families and friends. It doesn’t have to be a movement you join; more importantly, it’s a movement you feel within.

Here’s to planting, growing and tending gardens of peace ~ within ourselves as well as “out there”.

Thanks for sharing this journey together. Cheers all!

PS: Because the series started on September 1st, there will be a “bonus” posting next week.

PSS: Remember, all 52 Weeks are posted here!

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Week 36: "52 Weeks of Peace"

“Cosmic Peace”


Dare to dream upon the stars ~

Dare to dream of peace,

Beaming

From life’s grandest stage ~

Unrestrained,

Where thousands

fold to millions ~

Shining. Alighting. Dancing,

Through an endless velvet sky.

Floating in layers

of patterns on patterns,

Shades of bright white

Shimmering

In the blackened pool

Of an upside down sea.

Eternity’s dream catcher ~

Twinkling,

Winking,

Silver-rimmed storytellers ~

Architects of heaven ~

A symphony of light

Plucked from the night

For all time.

Beacons,

Guides,

Galactic jewels,

Wished upon

and worshipped,

Where secrets

are surrendered

And wonders breathe ~

Bright,

Inconceivable and constant.

©  P. Saxton
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iPad: The New Medium for Children's Books?

Wow. This isn’t reading, it’s a multi-media experience.

Alice in Wonderland gets an animation makeover in the video below …  it’s frenetic (clearly shown at warp speed for promotional purposes), but there’s definitely a “wow” factor and a vivid sense of what’s possible.

It’s very cool storytelling. It’s fun. But it certainly distracts from the act of reading – an act that’s pretty important in my book (no pun intended).

It’s not unlike the difference between reading a book and watching a movie. Yet entirely different from both because of the interactivity neither a classic book nor movie can claim.

And it begs the question: is this a good thing? Will it discourage reading, by making the words simply part of the visual action? Or will it encourage reading, by making it come alive?

I saw a comment calling this an “imagination killer”. Boy did that ring a bell. But will it be true?

There’s a lot to be said for hearing a story, imagining in your own mind what might be happening, and how and where, and what places look like.  I don’t think this should ever be devalued. But we know so little of the human mind … is it possible that an interactive story like this might expand a mind into even more imaginings?

I don’t have the answers, but I do agree with one thing: Whether animated or straight-forward, the iPad (and its likely successors) will probably be the next big medium for children’s books. Sooner than later.

And what I’m finding particularly strange, is that even a devout book appreciator like myself doesn’t really mind.

Nothing will replace the wonderfully textural experience of holding a book, turning the pages, smelling the paper … it’s almost sacred. But I can accept another medium, one that will show off colors in their brightest brilliance and whites at their crispiest and words their most sharp and dapper. All at the touch of a screen. It’s very neat. Very clean.

I also have to admit, I wouldn’t mind seeing my Fairies alight that screen. Not so sure I want them doing backflips or shaking fairy dust around at the whim of a “reader” … because, of course, I’d actually like them to read the words. But just a little flitting about might not hurt.

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Please feel free to share your thoughts! I’d love to know how people feel about this.

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