"A Book of Fairies" Book Launch!

a book of fairies / book launch

It’s a pleasure to announce that “A Book of Fairies” is now available online and at local bookstores.

Yes, in between designing, illustrating and writing for business clients, I design, write and illustrate children’s books. You can visit the author/illustrator website at patriciasaxton.com for lots more information, some Q&As, links, and games – and the patricia saxton blog, where there are different types of thought articles on creativity, event updates, and a special Sightings page for reading about – or better yet, sharing your own – experiences with the fairy realm!

Note: Patricia will be signing books on September 12 at Princeton, NJ’s Children’s Book Festival, and September 19 at The Town Book Store in Westfield, NJ.

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Coldplay: Art & Design Meets Music Video

I have to be honest. I’m not a big fan of music videos. I like to let music bring to mind whatever imagery my own mind conjures up, the way I like poetry to allow me to feel my own feelings without the emotional interjection of someone reading it aloud.  But that’s another post, probably for my other blog.

The point here is that the band Coldplay has released a music video (directed by visual artists Shynola) that really elevates the realm of music video storytelling. And I’m including it here because it is designed – and illustrated – brilliantly.

It speaks for itself, so here it is. Enjoy!

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It's All About Relationships

A recurring theme has been emerging in my world quite a lot lately. In talks over the past several months with colleagues, in twitter posts directed to Seth Godin’s blog, and most recently in a conversation over lunch this week with Milton Glaser who has unarguably seen and done it all, combining art and business with unparalleled success.

The theme? It’s all about relationships. Here’s my quick take on it, with regard to the graphic design business (or any business, for that matter):

………………………….

In this day and age of computer savvy, a glutton of designers and a climate of economic strife, it’s no wonder many artist’s and agencies are having a hard go of it lately. It could be there’s too much talent and not enough demand, as everyone – from individuals to families to small businesses and large corporations – is holding tight to their purse strings.

But in any business climate – whether it’s booming or equilaterally depressed – three key elements always reign supreme: creativity, quality, and relationship.

An unfortunate side effect of a distressed economic environment such as the one we’re experiencing now, is that some media-buying decision-makers may opt for mediocrity, somehow aligning their efforts with the mood of the times – the sense of “lack” or “needing to do without”  – by shopping around for the lowest price, regardless of creativity, quality or relationship. It’s easy enough to do nowadays; just google graphic design and hundreds upon hundreds will come up.

What can also happen in this kind of situation though, is that while it’s still possible to find creativity, and still possible to find certain levels of quality, relationship may well be left out of the equation. And that particular absence can kill a project, or make people wish it did.

Despite all the wonders of online connecting, the enormous choices and competitive pricing available, if you don’t like the people you work with, it can be a miserable experience. It boils down to the old adage of being a pleasure to work with.

You can be as creative as DaVinci, with the quality and craftsmanship of a Frank Lloyd Wright; and likewise, you can be a brilliant business mind with a world-changing product. But regardless of whether wallets are open or whether they’re closed, at some point human nature always plays its card – and wins.

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Google's Unpopular Offer: Work For Free

Some Artist’s Say “No Thanks.”

Who doesn’t love Google? It’s friendly, fast, smart, practical and has established itself as an indispensable tool. It’s the undisputed King of search engines. But in June, word spread about a Google offer that many top illustrators felt they could refuse.

Exploitation? Good business? A dishonorable trend? Welcome exposure? … What do you think?

Read about it here in the NY Times.

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American Flag: A Visual Tribute

In May 1776, Betsy Ross sewed the first American flag. A year later in 1777, the Continental Congress passed the first Flag Act, establishing an official flag for the new nation:

“Resolved, That the flag of the United States be made of thirteen stripes, alternate red and white; that the union be thirteen stars, white in a blue field, representing a new Constellation.”

However, between 1777 and 1960, Congress passed several acts that changed the shape, design and arrangement of the flag and allowed for additional stars and stripes to be added to reflect each new state. This broad span of time without specific guidelines resulted in many design interpretations – which in a sense also reflects the deeply rooted sense of freedom so cherished by Americans. The expressions were rich and proud, eventually evolving into the flag we pledge allegiance to today.

Carrying that theme of evolvement forward, in 1986 I discovered a beautiful book by Kit Hinrichs, called “Stars and Stripes” – a compilation of exceptionally creative American Flag images created by some of the finest graphic artists of modern time. I found it absolutely delightful, and a great tribute to the creativity and talent that abounds amongst us – and the creative freedom we’re able to enjoy in this great land of the free and home of the brave.

Below are just 13 samples of the many ingenious designs from that book honoring our American flag.  Enjoy!

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Saxton's "A Book of Fairies" Receives Reviewer Praise

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available for pre-order on amazon.com

From Midwest Book Review:

A Book of Fairies is a fantastic children’s picturebook that presents a fascinating listing of imaginary facts about imaginary creatures. From the nature of Fairyland, to finding fairies, the tasks of fairies, fairy secrets and language, fairy medicine, and more, A Book of Fairies is a fun source of mystical speculation. The beautiful color illustrations perfectly complement the thoughtful text. A Book of Fairies is sure to bring joy not only to young readers, but also to adults who still believe in fairies!

“Of all the earth fairies, flower fairies are around us the most. Flower fairies are the ones skipping through the ivy, or tending your vegetable patch – yet they can be awfully hard to spot. They make their clothing from leaves and colorful flower petals, so they blend right into the gardens where they play.”

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The iPhone and Fun with Type

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While adding some weblogs to my blogroll,  I came across one called Huge Type.  I was intrigued.  You can’t consider yourself a serious designer without some form of adoration for typography. Clicking on the site, I found it was an experiment / experience kind of thing. Further intrigued me.

Then I saw that this project / experiment incorporated the iPhone. (There again, who doesn’t love the iPhone?) And I thought, what a great, entertaining way to direct people’s attention to the sheer volume of outstanding typography –  and its fantastic craftsmanship – that surrounds us daily, to the point of viewer non-chalance.

We see type so often – on magazines, buses, billboards, our computers, our books – we use it to write with, design with, read with – that typefaces run great risk of being taken for granted.  They’re just “there”, they show up, they look good or bad.

Alot of people aren’t all that aware of the important role played by type.  But it is an amazingly important, critical part of any visual layout.  One word can evoke entirely different feelings based on what font is used to say it.  That’s pretty powerful.

So, while I’m at it, kudos to all the font designers out there, who painstakingly render their works of typographical art.  Thank you to the type design greats of history, and the modern font artists who carry on a strong tradition of skilled mastery.

Well I got off on a bit of a tangent there – but well worth it, if it reminds people of the expressiveness possible through the use of type and a gathers a little appreciation for the unsung heros of typography.  (We all know of Leonardo DaVinci and Frank Lloyd Wright, but how many know Giambattista Bodoni?)

So, take a look at this site if you’re interested in combining the iPhone and a little fun with type.  You may start seeing letters and words in a whole new way.  http://www.hugetype.com/

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In Praise of Black and White: Part I

Ansel Adams, Moon and Half Dome

Ansel Adams, Moon and Half Dome

Each year, a new Ansel Adams wall calendar hangs on the door leading to my studio.  His superbly articulated, stunning black and white photography reminds me daily of my love for the natural world as well as the innumerable shades, shapes, shadows and tones that create, change, and emerge from, the world around us.

Yet in a time when everyone wants color, the classic beauty and the powerful visual possibilities of black and white are often neglected.  In the design world, black and white is often completely overlooked or passed by in favor of any use of color.  As if black and white implies something less important, or something dull – even something “cheap”.

But when used well, black and white can be anything but dull, nor without value.  Black and white can be intensely dramatic, elegant and rich.  It can get a strong point across without the distraction of colors.  It can be brilliant or moody, edgy or slick in ways that color cannot.  It can sparkle with cleanliness. Black and white carries undisguised strength, character and integrity … when used well.  Not all photographers have the eye nor skill of an Ansel Adams. Not all designers see in black and white.  Clients rarely consider it.  But it would be nice to see a greater appreciation of the noble duo of black and white.

When people want straight talk, they’ll say “tell me in black and white” – which infers that they’ll get to the truth of the matter.  But more often people speak in shades of gray, or dress it up in garish colors for dramatic effect. So it is with design – a multitude of colors have the potential to become an undifferentiated sea of grays, or gussied up so much the point is lost for the color.

Of course color is beautiful.  As an artist, I can’t help but adore color. Bold, rich fusions of color. Yet color alone will not make a bad design good. And it’s not so much that color is overrated, but that black and white is underrated. You don’t see it alot, which is unfortunate, because the effects of black and white can be pretty spectacular.

It’s a rich experience to see things in black and white; stripped of color, a million shades of gray become a lansdcape of lights and darks that blend and bounce against one another to create a whole. Even if you don’t see things quite like that, a striking black and white image often touches people unexpectedly.  It’s raw and fundamental – and like a good story, it’s satisfying, and it allows your mind to fill in the color that’s left unsaid. Like a well-told story, black and white art can be refreshing, engaging and wonderfully, surprisingly inspiring.

Below is a broad sampling of some pretty nice black & white work. There’s a whole lot more  (though not enough)  than shown here, but it’s a good smattering of styles …

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The Art of the PowerPoint Presentation

First I should say that despite the title of this article, PowerPoint is clearly not an art form. It is a handy, easy-to-use presentation tool that has gained enormous popularity over the last several years – to the point of becoming standard practice, and unfortunately, to the point of almost mass disregard for the audience.

If you don’t want to alienate your audience, it’s smart to remember that while PowerPoint itself isn’t an art form, there is an art to presenting. And to that end, PowerPoint presentations can – and should – be appealing, both visually and verbally.

The two PowerPoint samples we created above show how color, imagery and text can have a successful impact when used well. The main points are clear and precise, and there is room for discussion and spontaneity.

All too often folks are simply intent on filling the pages with information …. lots of it. Just about everything they have to say goes into the PowerPoint document – heaven forbid something is left out. This leaves very little space for personal anecdotes (which aren’t the meat, but are the heart of any presentation) not to mention breathing room for all those poor little words – not to mention the audience needing a visit to the eye doctor following the presentation – not to mention room for a dash of artistic visual interest to keep viewers from snoozing.

Our three “before and after” samples below show how over-worked, complex slides can be simplified and designed more attractively for much greater clarity. Now, instead of feeling bombarded with data, the audience can more easily comprehend the general message – and the speaker has a focused reference point from which to present. (“before’s” are on left, “after’s” on the right)

When preparing your PowerPoint presentation, please try to remember that PowerPoint is not the presenter. You are the presenter. PowerPoint is the tool.

Assuming the intention is for your presentation to be well-received, it’s important to do more than pick a template, plunk down some text and add a bunch of special effects. Believe it or not, even given the creative limitations of the program, there is an art form to creating an effective PowerPoint presentation, and it can make a huge difference it’s received.

For professional help with the look and content of your presentation, or the skills to present it, there are professionals like me who make it their business to make you look good. If you’d rather make a stab at it yourself first, here are some tips for getting the most mileage from your PowerPoint presentation.

1. Cut it Out: Get rid of extraneous text, busy graphs and focus on your core content. Eliminate clutter. When in doubt, cut it out.

2. Minimalism, or Less Really is More: Limit the amount of information on each page. Condense sentences to as few words as possible. If you really, really, really feel that your audience needs more detailed written information, consider bringing along a separate hand-out, printed out ahead of time.

3. Distance Matters: Know the size of the room and how near or far viewers will be from the screen. Adjust your text size accordingly.

4. Color Blind?Avoid harsh or severely bright colors, except for minimal, special emphasis – and please don’t put pastel colors on a pastel background or dark colors on a dark background. And do find out if the room will be bright or dark. If it’s dark, don’t blind the audience with stark white backgrounds.

5. Let a Picture Tell the Story: Not only does this add visual interest, pictures can sometimes make your point better than words. Of course, the image has to make sense or you’ve lost the point.

6. Keep it Consistent: Unless you’re making a special point that screams for unadulterated creativity, keep fonts and text sizes consistent throughout, and work within one color scheme.

7. Break it Up: Add a humorous image; use a few different background colors; move pictures from left to right, top to bottom; keep it fresh and avoid repetition.

8. Don’t Go Crazy with Effects: A little can go a very long way. A lot can leave your audience dizzy. Don’t let special effects upstage your message.

9. Remember Those Hour-Long School Lectures? Of course not, you were writing notes to your friend about the game after class. Resist all temptation to simply read those PowerPoint bullet points aloud (assuming your audience can read). You are there to add value to what they can already see. So…

10. Know Your Stuff: Know your material and practice your presentation. Know and practice, practice and know. If you don’t know your stuff, it’ll show.

11. Like it: Would you enjoy being on the receiving end of your presentation? If you don’t find it interesting, your audience may very well feel the same way. But if you feel good about it, chances are that your audience will too.

12. Talk: Well of course you’re talking, but to avoid #9, share insights and experiences using your own words.

There is an art to presenting, and there is an art to making PowerPoint both dynamic and more productive. Just keep in mind, that while the PowerPoint screen is a great tool for initiating your talking points, it isn’t the talk.

Patricia Saxton, designer, illustrator, author, and owner of Saxton Studio

If you’d like Saxton Studio’s design help with your next presentation, we’d be happy to work our magic for you. To view a full design and illustration portfolio, visit www.saxtonstudio.com

For excellence in speech and communication coaching, visit www.professionallyspeaking.net

© Copyright Patricia Saxton. All rights reserved.

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