Tuesdays with Chris: “Beauty”

Chris Staley

Chris Staley

What is beauty? Where do you find it? How? In what? Why is something beautiful? What is beautiful to you? Chris, and several graduate students, share their thoughts on beauty – sometimes poignant, sometimes comical. A treat!

(If you missed my introduction about Chris Staley, master potter, educator and Penn State Laureate 2012-2013, you can read that here.)  Enjoy!

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“where in the world is peace?” … north carolina to new york to barcelona

52 Weeks of Peace keeps traveling the world! Thank you for these terrific images and for sharing peace, and your smiles, across miles.

NYC bound

Serving it up right in Chapel Hill, NC

It’s a family affair in Salem, Virginia!

Beautiful adornment from a Florida-born friend

Peace at the Bar!

Peace in Barcelona, Spain

Shopping in North Carolina

Proud in New Jersey

Wearing Peace : )

Peace at the 501 Diner, Chapel Hill, NC

Where to next?

(ps:  you can see all “where in the world is peace?” images compiled on our special “where in the world is peace?” page. Our book is on Amazon, our totes, mugs and things are available here. Send your own pictures to 52weeksofpeace@gmail.com or post them on our FaceBook page. Let’s see where peace goes!)

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Tuesdays with Chris: “God and Art”

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On a snowy mountaintop, Chris ponders God, love, curiosity, and art. As ever, one of the things I like most about this presentation is his sharing pearls of wisdom from both heart and mind in such an unaffected and accessible manner ~ even on a topic so broad and deep as “God and Art”.

And today, after listening to this, I feel inspired to walk somewhere I’ve never walked before… Thank you, Chris!

(If you missed my introduction about Chris Staley, master potter, educator and Penn State Laureate 2012-2013, you can read that here.)  Enjoy!

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So It’s Valentine’s Day

So it’s Valentine’s Day ~ big deal, right? I’ve had a few memorable ones, but overall it’s pretty much an over-rated, over-commercialized, over-priced reason to either treat your special someone to flowers, chocolate and cards, or cry into your single-serving half-gallon ice cream container.

That said, I’m not as cynical as it sounds. I guess I’ve “evolved”. I kind of like the idea of a day dedicated to love. Let sweethearts swoon. And for those not in love, or who may have lost a love, are mad at love or through with love, who says it has to be romantic love? Cupid can have his fun, but so can those not struck by the mighty arrow. Why follow the rules?

So I got a little inspired, and made up some mini-posters in honor of all forms of genuine love, which is always worth celebrating. Happy Valentine’s Day to you! Go ahead and share some love today. ♥

welove

thissky

loveisafruitinseason

love.outlaw3

lovegivesnaught

loveis

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Tuesdays with Chris: “Hands”

“I feel, therefore I am.”

This is Chris’s astute take on René Descartes famous line “I think, therefore I am”, as he reflects on all the ways our hands express our selves.

I love the austere, but still warm, shooting of this one, and marvel at the ease with which Chris shares his thoughts, simultaneously simple, profound and accessible. Anyone who works with their hands will certainly appreciate what he has to say. Anyone who talks with their hands, and anyone with an understanding of body language will be nodding along.

(If you missed my introduction about Chris Staley, master potter, educator and Penn State Laureate 2012-2013, you can read that here.)  Enjoy!

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Taming the Dragon: Drawing Process

First comes the rough sketch. An idea of facial structure, wing positioning, where the horns may go, what kind of tail… all this is given thought, but not fully formulated. Then a tighter sketch and the beginnings of detail, then more, and more, with some touch-ups here and there as the beast emerges and takes on a personality. We become quite fond of one another during the process. He’ll get some color and maybe a few more crags, bumps and scales before all is said and done ~ but I thought some of you’d enjoy seeing the progression to this point. (The rest will have to wait for the finished book!)

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dragon.flying.full.back

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Finding the Sky

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I distinctly remember the first time I fell for the sky. I’d admired it before ~ you know, its multi-colored sunsets, fun-shaped clouds, and dreaming up into the soft blueness of it all. But some years back on a trip to Kenya, I fell over-the-top crazy in love.

The vastness, the magnificence, the stunning glory! What a sense of freedom, of breath, of grandness and possibility under that enormous African sky. Scrumptious! I fell pretty hard, and never recovered. Then I fell a second time, in Arizona, and there was no turning back.

Living near the ocean most of my life, I’ve had ample opportunity for drinking in “big sky ” ~ but while that too is endless and beguiling, I guess it’s true that there’s nothing like your first love; or the feeling you’ve been kissed by the sky.

When I’m out and about here in my own neck of the woods, I see buildings and lawns and cars and kids and dogs and trees. The sky is almost an afterthought. It’s just “there” ~ like the stars are there ~ up there, out there, steadfast and constant, serving a purpose without asking much in return. No pomp or circumstance, no royal carpet inviting your senses to wander in its wide open spaces, no obvious offering of lofty shelves for stacking your dreams.

But now and then I remember to look up while I’m walking, smile upwards when sun shines, gaze upwards when the moon glows, and then I realize it’s the same sky I fell in love with before.

For sure, East Coast heavens share different colors and express different moods than African ones, but it’s all one sky; it never left ~ I just have to look harder to find it. And when I do, I breathe a little more deeply, I feel a little less encumbered, and remind myself to look up more often.

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{All paintings oil on canvas / Patricia Saxton}

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Something About Flowers

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Aside from their part in the cycle of life, I think flowers are here for 3 main reasons: 1.) to please the senses, 2.) to lift the spirit, and 3.) for artists to paint. They do all three for me, and I guess I’m particularly  guilty of the third.

I was the girl who sat for hours in the garden, sketching the array of flowers my father had lovingly planted and tended. They were there, they were pretty, they posed easily, I had time then, and a talent I liked to use. Not for any other purpose than the joy of seeing something come to life, become 3-dimensional on a flat surface simply by touches of pressure and shadings made with a regular old pencil. I was unintentionally honing a craft I would use my entire life.

I drew other things too – the odd sugar bowl, a barn, a tree, portraits from record albums of my favorite musicians. I’d leaf through National Geographic magazine and inevitably find something draw-worthy; a lot of the time it would be faces from places I’d not yet been, faces with great character and expression, or an interesting animal. I didn’t think I was very creative then ~ whether I naturally saw, or learned to see, my time with paper and pencil was all about shades and tones forming something “real”. I was practicing; perfecting skills, self-teaching. As time passed I’d feel free to venture into more “creative” and conceptual territory ~ but then, it was “how well can I draw this?”

So my first flowers were detailed pencil work. I played with ink and then watercolors, and finally oils. Each medium brought a different feeling, different nuances and different kinds of detail. But then, at some point on the canvas I strayed from detail (I’d always secretly wanted to – but old habits die hard, it was my “comfort zone” and received all kinds of accolades, so why stop a good thing?) and let the brush do more of the talking. I liked what it said.

That’s not to say I don’t, or won’t, do more “detail” (one peek at my dragon drawings and you’ll see that’s not been abandoned!), but I love the progression, the change, the freedom that’s come along at this point in the road that says, “Paint it however you want, Saxton. You’ve nothing to ‘prove’ anymore. You’ve earned your wings, now fly!” (Flying would be easier, of course, without the roof-overhead-syndrome, but it’ll all come, in its due time. )

Which brings me back to flowers. Those intoxicating blessings of beauty. They’ll always bloom on someone’s canvas, somewhere, I imagine, til the end of time, including some of mine. And that picture at the top of the page? ~ that’s one (though not from the garden, it calls my name). And I find myself wondering how I’ll paint it. It’s kind of exciting not knowing – letting go of the outcome. Which muse will take the wheel? We’ll see…!

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A Plethora of P’s: #67 / Pillar

proactively punctuating life with the plausible, powerful possibilities of positive thought presented through a plethora of “P’s”.

– ♥ –

saxton.P_pillar

Where would we be without pillars? A pillar is upright, strong and supportive. Something to lean on. Something to admire. Something that holds up magnificent structures ~ sometimes with great adornment, sometimes with simple, elegant lines, sometimes plain, functional ones, but always sturdy.

And they’ve been around a long time! The first known stone pillars date back to 2600BC in Ancient Egypt, created by the architect Imhotep. A little later on, some of the most elaborate columns were built by the Persians, and later still, (not to be outdone), the Greeks and Romans used them not only for supporting roofs from the inside, but as decoration for the outside of buildings.

Above all, ornate or dull, pillars are practical. And now and then, the human structure also needs a pillar to rest on or look up to, or support us when we reach higher, when our load is heavy. We’ve all known someone who’s served that role well. And then sometimes, you’re that pillar of strength for someone else.

The way I see it is that either way, physically or emotionally, pillars are pretty awesome and well due some praise.

(see our growing, ongoing Plethora of P’s here)

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