The Pencil

A modest and unassuming tool, the pencil has witnessed global events, mapped grand expeditions, documented scientific discoveries; it has chronicled famous lifetimes and private journeys; it is an artist’s companion, and is ever patient in the hands of a child learning to write or a poet listening for illumination.

The pencil quietly observes, renders, and calculates, and from the slightest stroke to the boldest pressure, its touch can bring the magnificent and fantastical to life, leaping from a blank white page in great passionate detail.

With pencil in hand, stories are written, stars dreamed upon, ideas and equations scribbled ~ and its only vulnerability ~ revealing the pencil’s tender heart, and reminding us that it comes from Mother Earth ~ are the charcoal smudges made by the smear of a hand, or how cleverly it can disappear with a simple eraser.

A more loyal, trusting tool I’ve never known. Even if you break it in two, it still works! And, ah, what imaginative beginnings can be stirred by the humble pencil… a marvelous instrument indeed. :  )

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From Patricia Saxton’s “Pencil Point Series”, a long-runnng self-promotional campaign based on her logo and favorite tool, the #2 pencil.

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No Exceptions

Funny how the right combination of words on the right day can cut through all sorts of rubbish. There have been many phrases that have spoken to me over my long years of admiring quotes, but right then and there, this one kind of shouted.

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This isn’t to say I’m personally looking to start wearing big, red feathered hats. (I do love hats, but they tend to feel like a bit of a ball and chain, a cumbersome accessory that you have to hold if the wind blows.) But it does mean you get on with things. With gusto. No hiding behind ancient lessons of modesty (to the point of it being a flaw, not an asset), or memories of insecurity (too tall, too skinny, too short, too fat, not enough this or not enough that), or playing down your virtues to avoid someone else possibly feeling “less than” (after all, it’s very possible to be all you can be without being brazen or inconsiderate or creating psychological torment in others).

We all have merits and strengths just as we have faults and weaknesses. To hell with the latter. Why give them any more muscle. As I’ve heard somewhere along the way, we ought to afford ourselves the same benefit of good lighting that we often give to a painting on the wall. And do it now. Today. No exceptions.

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Amelia’s Wisdom

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On May 20, 1932, Amelia Earhart took off from Newfoundland and nearly 15 hours later landed in Ireland, becoming the first woman to fly solo across the Atlantic Ocean.

I applaud her courage, her sass, her confidence, her skill, and her devotion to a dream!

And that’s all I was going to say. Except then this thought came along for the ride…. that sometimes I feel like we’re all flying, flying through time and space, yet we’re moving from one thing to the next with an odd sense of urgency, like an almost directionless wave. Are we piloting, or going wherever the wind propels us ~ and in the end, does it even matter?

Amelia had a goal, for which she was very clear and very determined. Her eye was on the prize; nothing deterred her vision. Distractions were temporary ~ in contrast to today’s practically full-time, ongoing societal movement of distraction and sense of go-go-go to the next thing, the next chore, the next gadget, the next appointment, the next video, the next news cycle, the next facebook post that will fill in the void created in the five minutes between.

When do we sleep? When do we sit still and just be? Talk with a friend?  It’s almost as though those things have become diversions. I find that sad. I also find it true. And I also feel grateful that I have at least a couple of personal outlets that take me away from the frantic “gotta do this” mentality – a mentality which is very real, but also a manufactured product resulting from the marvel of technology allowing us to access everything NOW. We’re like little children who want to stay up so we don’t miss anything. We’re like subscribers to a virtual Life Magazine, interested mainly in the quick pictures.

And so we tell ourselves, oh, who cares about the cobwebs creeping down the walls, there’s no time for that. We get pulled in, sucked in (whooshing sound – can’t you hear it?), carried into the current. And time goes by without our noticing. It literally seems to fly – but not the same kind of dedicated flight Amelia ventured upon; not at all. And is that good or is it bad? Is it just different?

Is it harder to have focused goals like Amelia Earhart had, when we are driven to distraction in modern daily life? (Not counting those wealthy enough to hire others to handle the mundane.) Goals were simpler, “cleaner” way back when. Farmers sowed seeds in one season, harvested in another. Granted, that was hard work, certainly no walk in the park, but now it’s as if hoeing and tilling and sowing and harvesting and reaping are simultaneous actions, and then everyone needs to broadcast and re-broadcast their progress so the world will know that their tomatoes are the best tomatoes ~ because by tonight, something else will have our attention.

Time will tell… but I know that I need to do something organic everyday to counterbalance all the time spent electronically, that computerized place that’s “open all night”, around the clock, every day of the year, for business or play. There is a great usefulness there, and I value that, but I think it’s all too easy to lose sight of one’s own “prize” in the process. So I need to walk away now and then, whether it’s to pull a few weeds from the garden, play a few notes on the piano, draw, swim, stop and pet my cats. Spend some time with myself, the core me, not the “what am I going to share next with the world” me. Meditate. Stay away from my to-do lists.

It’s just hard to find the time… but I’m going to go do that very thing right now. An hour should do it. Maybe I’ll start by contemplating Amelia’s wisdom. Or maybe I’ll just thank Amelia for reminding us that we can do anything we set out to do, and then go feed the birds and not think at all.

ps: Sorry for getting all off base here from the original intent of a quick, light post, but sometimes it spills out and I’m not going to change it because I’m now on a bird-watching mission.

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The Road To Imagination

“Everything you can imagine is real.”
― Pablo Picasso

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From Patricia Saxton’s “Pencil Point Series”, a long-runnng self-promotional campaign based on her logo and favorite tool, the #2 pencil.

It starts out when you’re small ~ imaginary friends to share your secrets with and mythical beasts under your bed, dolphins swimming on clouds, dancing spaghetti and talking fish…. and if you’re lucky you loop back around after you’ve grown up, after at least a few journeys into more serious, practical waters.

There are some who never wander far from that magical place of the imagination, but most of us stray. We twist and scuttle around winding roads of this and that important thing. The key is to not stray so far and so long that we forget. Because our imaginations are like beautiful shiny rocket ships, launching a thousand ideas and dreams. Imaginations make art and music and electricity and cures for diseases and stories that make us feel and think and grow. Imagination is liberating. It’s a life force beyond our comprehension – we have to use it to know it, and even then, just around the bend there’s always more marvelous wonder not yet discovered, not yet realized, not yet “thunk up”. Always.

……….

“Imagination is more important than knowledge. Knowledge is limited. Imagination encircles the world.”
― Albert Einstein

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Tuesdays with Chris: “The Gift of Listening”

Chris Staley, early work

In his typically wise yet humble way, Chris covers another of my favorite subjects in this last video of the series ~ unobtrusively reminding us that the world could use quite a bit more good listening.

Hope you’ve enjoyed the series as much as I have. It’s been a pleasure filling our Tuesdays with the creative insights from a great teacher, a great person, a wonderful artist and an old friend. Thank you Chris, for the opportunity for more of us to listen to you.

(If you missed my introduction about Chris Staley, master potter, educator and Penn State Laureate 2012-2013, you can read that here.)  Enjoy!

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Some Doors I Have Known

There’s something about doors that makes me want to walk right on in, see what’s behind them, uncover a mystery, discover a history, a magical passageway, a hidden treasure. And the lavish architecture of Venice just intensifies that intrigue!

Of course, the truth is that sometimes (most of the time) I just have to use my imagination ~ but that’s not too hard with doors like these. ♥ Ah, what stories they could tell…

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Tuesdays with Chris: “Outside the Frame”

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As “Tuesdays with Chris” nears its inevitable end (sadly, all things must pass…), we’re given a glimpse of how these videos have been made. You’re going to like this a lot! It’s just as inspiring and well-done as all the rest, with a good measure of “informative” tossed in. For anyone thinking they’d like to whip up a quick 3-minute video, take note of the time and care involved. Kudos to Producer Cody Goddard (and his awesome mittens).

(If you missed my introduction about Chris Staley, master potter, educator and Penn State Laureate 2012-2013, you can read that here.) 

Next week will be the last in the series. Enjoy!

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Devaluing Design

Warning: My usual positive outlook took a wee turn this morning. I’m peeved.

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We’ve all heard of crowd-sourcing by now. For those of you who don’t know, it’s a way to get your job done as inexpensively as possible. Sounds good, right? Let’s say you need a logo for your new business. Some start-ups, especially individuals or very small businesses, just don’t have a budget to hire a graphic designer (much less a design firm or an ad agency). For cases like these, in the past you could ask your cousin Sally (who’s “good in art”) to create something for you for free, or maybe you know a student, or someone just starting out in the design field to create something on the cheap that’ll help build their portfolio.

But now you can go online to any number of websites that provide either a.) logos for $99, or b.) crowd-sourced options. In crowd-sourcing, you describe what you need, name your price, and in this world of high-high-tech, your project is seen overnight by thousands of graphic designers who have signed up with the crowd-source listing who can all submit any number of designs to you for consideration. This means you can potentially receive thousands of design options from all over the world ~ for a fee that is, by all professional standards, incredibly, ridiculously low. And I do understand that this can be the right, if not necessary, solution for many folks. It’s a way for everyone to get a logo, not just the “wealthy”, and I can’t argue with that. I’ve even made the suggestion to a few people myself. We all need to decide where to cut corners in today’s economy.

The downside is the devaluing of design. For myself and a world of other professionals, this can feel like the beginning of the end, because there’s no way to compete. We’ve honed our skills and sensibilities over many, many years, we are among the best and brightest, we are “thinking” designers who not only offer smart, creative solutions but provide ongoing service, becoming a key player in your business. This is how we put food on the table ~ by understanding where you’re coming from, what you want and need, what will best represent you and your business in a busy, noisy landscape by creating something uniquely yours, not cut from a cookie template, not one-size-fits-all. It’s not just talent, it’s experience and insight and labor. We are your visual voice.

So, in a way, there’s a quietly raging battle going on that we’re all kind of wading through, to see what happens. But this morning it got my ire up.

I’d dropped my daughter at the train station and turned on the radio for the drive home, figuring I’d catch up on some news. Apparently Sunday mornings are filled with financial shows, and I happened on WOR 710 with Ric Edelman and his show The Truth About Money. He was explaining crowd-sourcing, and how it’s changing our world. He explained it in terms of the recent Boston Marathon bombings, how police and other law enforcement were able to nab the suspects so much more easily because of the sheer volume of phones with cameras, the capability to instantly send images and videos over the internet, being able to information-gather from thousands – millions – of people via social media instead of the old, time-consuming way of person-to-person investigating. All good. Makes sense. Except I had this bad feeling about where he was taking this…

And sure enough, he went on to add another example. “Say you want a logo for your business…. before, you would hire a graphic designer, but now… (insert reiteration of what I said in second paragraph above)” And THEN he said, “Of course this spreads fear in the hearts of designers, because it means they’ll have to now work on spec, and they probably don’t want to do that…”

Excuse me? Do YOU work on spec Ric Edelman? Do you not get paid for your radio show, your lectures or client consultations? Does your producer wait and see if anybody tuned in that day before cutting your paycheck? What? You have years of experience behind you? Oh, that matters? That makes you worth more than, say, a beginner? How about this – do you go to a fine restaurant and ask for a few variations on your meal, name a low-ball price, then decide if you’ll pay for it or not? Do you have any understanding that a designer not “wanting” to work on spec might have something to do with the fact that this is how some of us keep a roof overhead? This isn’t just fun & games. Or wait! Maybe it is! Maybe we should all find different jobs, then possibly make a couple hundred dollars on the side every so often dabbling in logos for crowd-sourcing opportunities. You know, just for fun.

Funny how this harkens back to the notion that artists and writers do what they do no matter how poorly they are paid. The historical documentation of the poor artist, wearing hole-ridden shoes, driven by passion alone…unless fortunate enough to find a patron like the Medici’s or the Pope ….. to become wildly famous after death, cashed in on by hordes of wise art dealers. But I digress.

No thanks to you, sir, for stirring this pot. For not only sharing, but encouraging this demeaning insight with your audience. For degrading the time, effort, intelligence and talent of those who feed their families through their hard work in a creative field. Not to mention the individuals and business who have benefitted from the vision and fantastic work of many a gifted designer.

That the world is evolving, that we’re well on our way, that change is already here, embraced by many and on the move, I have no disagreement. And time, of course, will tell the final tale. But I am, frankly, appalled at your cavalier disregard for the creative professional. You’re basically saying “why call a pro when you can get it done for free by somebody else!”

So far there are still reasons why people call on us. One of them is called professionalism. Something that, at least for now, is still valued.

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Tuesdays with Chris: “Life & Death in Art”

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A wonderful examination of the concept of cave paintings and their possible purpose, intertwined with thought-provoking questions about our modern experience with the environment, our surroundings and asking ourselves what’s of real value.

(If you missed my introduction about Chris Staley, master potter, educator and Penn State Laureate 2012-2013, you can read that here.)  Enjoy!

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