Tim Cantor: Amazing

Tim Cantor is ridiculously talented. (I’m pretty sure if you look up the word “amazing” in the dictionary, his picture would be there.) With a brand new exhibit (on both coasts) and a beautifully produced 333-page hard cover coffee-table book showcasing his extraordinary art and poignant writings, he’s a shining star and rightly so. (Oh, and did I mention that one of his paintings inspired an original dress design? I don’t recall who designed the dress – apologies! – but did have fun seeing it.)

Last night I had the opportunity to meet Tim and his incredibly sweet, gracious wife, Amy, at the opening of his show in SOHO at the AFA Gallery. Props to my friend Roxanne for the introduction, and thanks to the weather for making it a perfect evening to stroll through the city. Then, of course, was the phenomenal art, admired with a glass of champagne in hand.

And, there was a dragon! A marvelous dragon, and another point of connection between two artists finding a few moments amidst the flurry of an opening reception to chat about how our minds work and how we don’t really go to many art shows and never wanted to be influenced by other artists so kind of kept our heads down, eyes on the canvas, brushes ready for the whichever inspiration would win out over another. (I don’t think you realize missing other people “getting” that sort of thing until you stop working long enough to rub shoulders.)

Tim, though, unlike myself, has made his fine art into a hugely successful full-time endeavor – and with his mastery, it would be a crime if he didn’t.

His demeanor is gentle and genuine, and his work – even if you didn’t know that he’s considered an artistic “rock star”, or that his art was introduced into the permanent art collection of the White House at age 15, or that his paintings hang in numerous celebrities’ homes (Robert DeNiro, Robert Redford, for example), have been exhibited around the globe and garnered wildly impressive media recognition – is truly exceptional. Seeing his surreal pieces in living color in the relatively intimate, high-ceilinged well-lit space of AFA was a delight.

The exhibit is up all summer at 54 Greene Street New York, NY 10013. Details here.

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All art created in oils, © Tim Cantor. See more of Tim’s work at timcantor.com.

 

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Magic, Captured

“I don’t get it,” the little boy said.

He was looking at my Book of Fairies. Assuming he was astounded by my artwork, his mother began explaining how I made the pictures for my books – how I drew them by hand, using a pencil to sketch and then add more detail; how I used pens and paints for color.

“But I don’t get it,” he repeated. And his mother said “I know, it’s pretty amazing right?”

“No”, the little boy said, shaking his head and scrunching his nose. “I don’t get magic.”

Then he thought a little more and added “I don’t get magic. I only believe in ninjas.”

Yet there we were, sitting at my kitchen table, the air thick with that very thing, that elusive stuff called magic.

Not the hocus pocus kind. No card tricks or rabbits emerging from empty hats. But moments when you can’t help but feel the stir and sweet bristle of magic in the air – which is the best way I can describe my meeting with this little boy’s family last September. (And I realize this could be a “you had to be there” kind of story, but I’ll tell it anyway, because it’s a sweet story – and because sometimes the stars align, and when they do, I tend to pause and take note.)

It had ordinary beginnings. A friend introducing one friend to another on facebook. My initial reluctance (how many facebook friends does one need?), then giving in. New friend sharing pictures from her daughter’s fairy-themed birthday party, my Book of Fairies as centerpiece. (Hearing that people may do this is one thing; seeing it – gorgeous photos of the book surrounded by fairy decor and childhood joy – is quite another. My heart was full.) Notes shared back and forth. Connection and friendship blossoming. A few months later, “…we’ll be in your area, my daughter would love to meet you and have the book signed?”

It’s a beautiful day when they stop by. And there it is – that unexpected stir and bristle in the air. We smile and hug as if we’ve known each other for eons. We do ordinary things like chat and look at art and drink tea and eat the brownies I’d prepared – but nothing feels ordinary. The light is crisp and clear, the mood exceptionally easy. A veil lifted. And somewhere in there the children steal my heart.

We get around to signing the book. Sitting on my front stoop, a white butterfly lands on my writing hand. It stays while we talk and stays while I sign the book and stays while we talk some more. It stays and stays, and stays until we question whether it’s indeed alive (although I would swear I felt little feet moving on my skin). Eventually my new young fan gently nudged her fingers under its wings and turned to a nearby plant where our butterfly friend floated a few wing beats to land on a leaf. (So, yes, it’s quite alive.) And as if watching over us, it stays there for the rest of our time. I don’t know about you, but butterflies I’ve known don’t generally attach themselves to people.

The air was bright with magic that otherwise simple afternoon. You could almost see it. We all felt it. For all I know there might have been ninjas there too.

Here’s a little bit of it captured. (With gratitude for the universe conspiring to bring us together.)
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All photos © Lacey Marie Photography

 

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Honoring Mom

Carolyn Naught Saxton / 1920 - 1980

Carolyn Naught Saxton / 1920 – 1980

[Yes, two Mother’s Day posts today! Because it’s become a bit of tradition, I share this one as I have in years past.]

When I was a little girl, my mother was “my world”. She did all the things you’d expect a mother might do, like hold your hand, read you a story, fix meals, teach manners, dry tears, cheer you up and on. She also loved to laugh. She loved to give. She loved life, and tried to worry only on Tuesdays.

And while she left this world too soon, she left gifts. Cherished, timeless words; gifts from the heart, mind and spirit.

So on this day reserved for mothers, I’d like to share some of those words, from one of her books of poetry, The Pine and The Power. I share them with love, in honor and life-giving celebration of mothers near and far, here or remembered.

…………………………..

God help our children to transcend the dark

And walk the earth with dignity and cheer;

God help them seek the mountains, persevere

The road that twists through thorn and tanglebark,

Ascending finally where eagles mark

Their point of vision. Help our children find

Two masters ~ one the spirit, one the mind ~

And rediscover constancy of heart.

Help us to find cathedrals in the skies,

A will to walk the long uncharted mile;

(The will to find in winter’s legacy

The ochre sands from which the lime trees rise!)

Help us to know the measure of the child ~

To live in time and in eternity.

© Carolyn Naught Saxton

…………………………..

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Call Your Mom

She’s a champion. A warrior. A magician. She’s tender, she’s tough, she’s imperfect and wise. She loves you when you’re winning, she loves you when you’re losing. She loves you whether you’re muddy or clean, too skinny or too fat, whether you’re cranky or witty or dull or smart.

She’ll hold you tight and dry your tears, cheer you on, teach you right from wrong, suffer your eye-rollings, worry and pray, and burst at the seams with pride.

And when it’s time to fly with your own shiny wings, she’ll hold you in her heart, forever and ever. (She’ll also still cheer you on and worry and pray, so don’t forget to call her. Often. 😉 )

…………..

Happy Mother’s Day! And remember: “If at first you don’t succeed, do it like your mother told you.”  – Author Unknown

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Going Thoreau

Pond. Woods. Cabin. Pen. Paper. Laptop. Me, and piles of unfinished writings. (Right. Thoreau didn’t have a laptop, much less electricity. So let’s call it a modern-day female Thoreau of sorts.) Wind whipping through red-budded trees, ducks squawking, late afternoon sun bouncing off royal blue water, star-studded nights and a deer (or three or four) to greet you at your door. Some fresh space for the muses.

Of course I wasn’t really alone. Aside from the ducks and deer (and, apparently, bears), there were plenty of other characters for company – a couple of boys and girls, some angels, and monsters, a flying horse here and there. There were real-live actual people too, nearby but not too near, and no one making a ruckus. No cars zipping by, no leaf-blowers or tv’s blaring. Laundry could wait, dishes were few, regular life paused. Except I did miss our cats sitting on my work. (I think?)

So, that was my five-day gift to myself – a mini back-to-nature answer to the incessant chatter of works undone while I’m otherwise busy designing things like branding and book covers for my wonderful clients. A cabin in the woods. A room with a view. Pen and paper. It was both enough and not enough. Is there ever enough time, though?

We do what we can when we can with what we have – then grab on and go.

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To Know Leona

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I loved her first because she loved my little girl. She loved her like her own. She sometimes spoke to her in French, and she called her Littlefoot, like the character in “The Land Before Time”. They were a good team, Nanna and Littlefoot.

I loved her next because her heart was real and true; her spirit as big as the sky.

We drank tea with herbs from the garden. We laughed from our bellies. We lit candles and watched the moon. We spoke of dreams. I helped heal her ankle. She helped heal my heart. I loved her language. She loved my paintings and my rice casserole. And she loved my little girl, who loved her back.

She was the mother of mothers to all in her care. Loving. Fearless. Brave. Blessings flowed from her lips like divine poetry. (Receiving a birthday wish from Leona was pretty much a religious experience.) She loved to dance. She carried too much on her shoulders. This world will miss her dearly.

She was magic. And fire.
Caribbean eyes.
Voodoo in her blood.
Gold in her heart.

She walked with angels –
Now she flies among them.

Thank you Leona, for your beautiful love and care. It was an honor to walk some of this earth with you.

 

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Patience and Process

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Everything’s got a process. The seasons, falling in love, solving a problem, making a meal, setting sail, etc.

So, too, with art.

With design, it’s largely a mental process. One word, one image, one “sense” can set off a cascade of ideas for the mind to siphon and distill, then execute with the clean tools of my Mac. (Not like the old days of things like rubber cement, and amber sheets for separating color, which I readily admit not missing at all.)

With illustration, it’s both a mental and physical process – lining up my tools, making physical sketches, conjuring ways to illustratively express different concepts and then execute, still, for me, primarily by hand.

With painting, it’s almost purely a physical process – brushes, paints, canvasses – along with a great deal of heart. There’s not a whole lot of “figuring” things out. The act of painting takes the lead, as opposed to the mind taking the lead.

And then, sometimes, the process – any process – gets clogged. There’s a setback. Things happen – often things that are out of our control (although, most of life is [out of our control], despite what we might like to think… but that’s another talk, for another time.); acts of God and so forth.

A few years back there was a huge flood in my studio. Took a few months to get my design and drawing stations in workable shape, which was key. Next would come the painting area. But time went by, and went by. The task was daunting, and I was busy writing and illustrating Dragons* in between client work.

Still, the canvasses whispered. Then they called. Then they shouted.

Finally, with some help, I cleared the space enough to feel I could answer their longing, incessant chatter, and right away felt better. Chomping at the bit, I would designate Saturday’s as painting day (other days were welcome, but this would be an agreed-to arrangement between me and paint). Yes! All was lining up.

So. On the appointed day, I clear off some last things from the table beside easel #1, clean it like new (a little lemon oil does wonders), grab a favorite old oversized shirt, a paint rag and one of the many not-so-patiently waiting images already engraved in my mind’s eye.

Just a few more things moved aside uncovers my marvelous palette, which I see, to my imminent dismay, is loaded high with caked on paint remnants. I decide it’s a work of art in and of itself – but will not do for squeezing fresh paints over all its hills and dales, nor sweeping a brush through assorted nooks and crannies.

And thus ended my first day of renewed painting. The mood cut short by a crusty old palette, and the need for a new one.

Initially frustrated, I soon realize it’s just part of the process. Making ready, preparing the space. There’s a ritual to it – shirt or apron, rags, the gathering and oozing of colors, the first strokes of the brush – and I hadn’t yet gotten to the place I’d been before, where ritual flows, all “set and ready” for when the spirit moves and chunks of time move with it.

Patience child, you’re almost there. Trust the process.

In the meantime, even more inspiration was uncovered by my delightfully messy palette (especially the underside – who knew?!) – just in case I needed any more. 😉

saxton palette / topside

saxton palette / topside

saxton palette / underside

saxton palette / underside

 

* Side note: “Book of Dragons” is officially almost here. I have my advance copy in hand! The rest will arrive …. soon, and you’ll be among the first to know.
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What Inspires You

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We just finished up a big round of snow here in the Northeast. Great buckets of it swirling like a mad dance – not a soft, dreamy snowfall, but an angry, wicked one – piling up a few feet of fluffy white by the end. Today saw lots of digging out and some requisite complaining. But I have to say, I love a good storm. Always have. As long as one is safe and cozy. I find them marvelously inspiring.

Which got me thinking about inspiration in general, and being interviewed a few months back by a delightful young woman for her college art & design thesis. I almost always enjoy an interview, and this was no different. There were, naturally, the expected questions: what you look for when hiring, how you got started, etc. But my favorite question by far was, “What inspires you?” Because what doesn’t? Really, I told her, just about everything. But what exactly?

It’s true I’ve traveled a great deal – I lived in Germany as a child, I’ve leaned on the Great Pyramids and dined atop the Eiffel Tower, slept in hammocks in the Yucatán and picnicked on a sprawling red tablecloth laid out on Kenya’s Maasai Mara. New York City has been a stone’s throw away most of my life, as has the sea, mountains and farms – so, no doubt all of these experiences have piled up an almost gluttonous visual feast in my memory banks – but the other truth is that I can find just as much inspiration stepping out my door onto a freshly shoveled step, or a cracked walkway shaded by an overabundant smoke bush, or a beautifully designed book cover, a great photo, a well-crafted film, a thunderstorm, a child’s drawing, an old barn, the spokes of a bicycle wheel, the human face, gorgeous architecture, great athleticism, excellence in anything, shadows on snow. I can be inspired by a random slant of light, pages of striking prose or what comes in dreams. It can be a conversation, or something overheard on the train, a character in a story, or a character in real life. It can come “out of the blue”. It can be the act of simply looking up at the universe and falling into its wonder. It comes from the sky. The wind. The earth. Fire. Stones. Flowers. Rivers. Mountaintops. Birds. Dragons. All of it. All of life’s endless bigness, beauty and mystery, where there are more textures, tones, colors, moods and designs than one could begin to imagine. It’s a vivid palette from an endless well.

Now, I know some may say this artist or that artist inspires them, or this style or that style, or maybe that they’re driven by social causes or a desire to make particular statements. But really, whatever moves you inspires you. And being moved doesn’t always involve epiphany or deep emotion – sometimes, yes – but it’s fundamentally about what makes your mind light up and your heart quicken just a bit, taking you out of the mundane into enthusiasm and possibility. Sometimes, you can’t actually put a name to it.

So, if you keep your ears, eyes and heart open, feeling inspired isn’t that tough. Maybe it’s about what you do with it. Whether you let the flame flicker out or you jot it down, draw a line, pick up a brush, play a note, make a plan. Because inspiration is kind of a two-pronged arrangement – it loves to seed, and it loves to be watered with action. When you can hold onto the inspiration once the work of it begins, there lies some real power.

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Peace, Love and Santa

Sleighbells. Snowmen. Bright red bows and brown paper packages. Reindeer on rooftops, stockings and candy canes, holly and nutcrackers. Angels singing. Hope. Goodwill. Peace. Love. Santa.

Yes, Santa Claus.

My daughter doesn’t believe in Santa Claus. She’s practically a full-fledged adult now, so has long put aside childish thinking. I, on the other hand, do believe in Santa (and I’m considered not just practically, but an actual, full-fledged adult, if you go by years on the planet). She, naturally, thinks I’m kidding. “Oh, Mom…”

But I do. I believe.

Granted, I’m not sure he wears a jolly red suit and drives eight flying reindeer over all the world on a single night. Nor am I convinced that he comes down chimneys. There are lots of questionable details. But is Santa merry? Is he generous? Kind? Loving? Do his eyes twinkle? Does he light up hearts on Christmas Eve? I say yes. And we sure could do with more light in this world.

Santa Claus, with a whole lot of helpers, shares not just toys, but hope, and goodwill, and peace, and love.

Santa is goodness. Santa teaches the joy of giving. (And receiving, it’s true.) He’s ingenious. He’s magical. Knowing Santa is believing in something unbelievable! Something you can’t see. Something bigger than you. Something bright. Something miraculous. Santa Claus, you see, is a lot like faith.

So, yes, I do believe. And I tell you this – beyond the shopping, the wrapping and cooking and crowds; beyond the fuss, beyond frustrations or the too much or too little, lies magic. I can’t tell you exactly what it is, but I feel it each and every year, some time during Christmas Eve – a spark? a glow? the settling of hoofs on rooftops? – that fills the spirit with comfort and joy.

I wish you that comfort and joy. I hope you’ll be merry. I hope you’ll be glad. And I hope you eat all the cookies you want. (But do leave some for Santa…!)

……………….

Here are a few designs to get you in the holiday spirit, if you’re not already there. 

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Twelve Months of Flowers

If only it were true. Unless you count holly berries, there’s really not much in the way of floral color in northeast winter months.

But “Twelve Months of Flowers” can be had via art prints, from the series published in 1730 by renowned British horticulturist and author Robert Furber. Mr. Furber’s name is highly attributed to these exquisite prints, and while I’m grateful that he had the insight, substantial research and knowledge (and, no doubt, the funds) to produce the collection, I’m mostly interested in the artistry.

We had two of these prints hanging in our dining room during my growing-up years – one May, one November, the months of my parent’s birthdays. Admired by all, they adorned a modest space with a rich, subtle elegance, (and now that I think of it, may have had an influence on my own interest in drawing things botanical) ~ but in all those years, while we probably did, I don’t remember talking about the artist. Regardless, for some reason they lodged in my mind’s eye today ~ so I went looking.

First of all, they are hand-colored engravings, produced by English engraver Henry Fletcher from paintings of Flemish-born artist Pieter Casteels . (They also produced an equally stunning second series, Twelve Months of Fruits.) Each work is a glorious detail of plants in seasonal bloom, with each plant numbered, and, at the time, a list of the corresponding names. More than 400 plant species were featured. This was no small project.

And so a few centuries later, I thank them ~ all three of them: Furber, Fletcher and Casteels ~ for their fine, luscious collaboration of study, talent and skill. They are so beautiful, I might even venture to call them a labor of love. But that’s what art is.

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