Austrian Alps Art Retreat: August 4 – 10, 2024

 

Would you like to …
Make art in a gorgeous, relaxing setting?
Amp up your drawing skills?  Learn to paint?
Find new ways of seeing the world?
Feed your spirit?
Share the joy of creativity?

………..

Join us for a week of making art guided by lifelong artist Patricia Saxton. There will be learning and feasting and camaraderie. There will be mountains, lakes, forests, cows and goats. There will be soaking in the incredible summer beauty of the Austrian Alps.

All experience levels are welcome.
Come along, be inspired, create some magic and nurture your soul. It’ll be amazing!

–  e a r l y  b i r d  o f f e r –

Register with required downpayment by December 1, 2023 to receive 10% off the listed price for the retreat.

………..

For the best experience with personal attention, the retreat is limited to 10 participants.
Click here for the details, itinerary, pricing and sign-up form!

 

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New Work / Show Time!

Paint dry. Signatures done. Hardware on. Five new pieces have been delivered and are now on display for The Azadi Exhibition at Sedona, Arizona’s Rumi Tree Art Gallery.

This was an inspired – and fast – turnaround. I’m just now surfacing from the creative process (which often feels like a spirit driven, caffeine-fueled alternate universe…) and wanted to share this update with you.

About five weeks before the exhibit opening date, gallery owner and fellow artist Sahar Paydar felt moved to make the theme of the show about Azadi, which translates to liberty in her native Persian language – and so, The Azadi Exhibition was born. Featuring four women artists and focusing on Art, Women and Liberty, I was all in. It meant switching creative gears in a short period of time, but I loved, loved, loved the concept and realized it was a perfect opportunity to begin a series of portraits that had been on my never-ending list of ideas for quite a while already.

I conjured up and completed three strong women for the exhibit (more are waiting in my wings), and I’ve called them I Am Freedom, I Am Grace and I Am Wisdom. Painted in oil, they represent empowering qualities that I believe all women inherently possess; qualities I feel should be embraced, honored, and unabashedly lived.

In addition to the portraits, I included two of my joy-activated acrylic pieces in the show: Joie, and The Grove.

These five new original paintings (shown below) are available for purchase at Rumi Tree Art Gallery; email rumitreeartgallery@gmail.com or call 928-862-4221. (You can contact me with questions as well.)

Clockwise from top left: I Am Freedom, I Am Grace, I Am Wisdom, all three.
Each piece is 20 x 20 x 1.5″, oil on canvas.

On left: Joie, 10 x 20 x 1.5″, acrylic on canvas.
On right: The Grove, 10 x 20 x 1.5″, acrylic on canvas.

More original works are available through patriciasaxton.com, where (as you may already know) I also offer giclee prints of select pieces.

Enjoy the holiday season! Warmest wishes to you and may love abound.
~ Patricia

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After the Leap

 

I’m a bit giddy about my new series of abstract paintings, so why am I choosing to share this pen and ink drawing from my early days? Blame it on Mercury Retrograde? Or the sense that my own sails are raised and ready for new adventure?

A symbolic piece then, of voyage; of casting off and setting sail; a metaphorical departure from the safety of one shore to the wilds of an unknown other – in this case, a marked departure from an innate, well-practiced tendency towards detail to a deeper, and ultimately freer, realm of instinctive expression. It’s exciting to look ahead, but the occasional revisit to where you’ve come from can also be worthwhile – like puzzle pieces of how you got from A to B to P to Z.

Here I can feel my younger self dipping her calligraphy pen in and out of the ink jar to get just the right amount of liquid on the nib (delighting in each stroke that didn’t bleed or drip!), her steady hand and sharp eyes playing with light and shadow to create a recognizable two-dimensional thing, the pleasure of her then new-found discovery of knowing when to stop. I was in college for this piece, and someone (a professor?) had the brilliant idea of turning it into a metal engraving – I’m guessing to make prints of some sort, which I don’t recall happening  – but I still have the engraving, which somehow feels like a work of art in its own right.

 

 

In this moment though, perhaps this pen & ink sailboat jumped out because the past two years have seen quite a lot of casting off and setting sail. I took a leap – from the sea, from green mountains and lush gardens and quaint, old-moneyed towns, to clever cactus and red rocks that reach into your soul and great big breathable skies with extra shiny stars. A leap from knowing lots of people nearby to knowing no one. From a home of 20 years, to 3 homes within one year. There’s been the shedding of tired emotions. Letting go of old stories. Creating new stories with new faces and new hearts. Making new paintings, writing new poems. The waters have been choppy – other times smoother than silk (even marvelous dare I say) – and I have not one regret.

Now as I sit poised for another step in this high-desert adventure, I thank my younger self for her artistic diligence; I thank my illustrator self for her imagination and storytelling, and the landscape and pear-painting me for her care – just as I welcome my current self’s desire to throw paint around willy-nilly. Because what’s created with joy will breed joy. Or so one hopes!

Here’s to everyone’s adventure, whatever form it takes. It can look like moving across the country with dreams yelling in your pocket, but it might not. Adventures start inside, and may just take you around the corner, but if you hear the call – whatever calls to you – I think you ought to listen hard.

 

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She took a leap of faith and grew her wings on the way down. – David Brinkley

Don’t refuse to go on an occasional wild goose chase — that’s what wild geese are for. – Author Unknown

You’ll always miss 100% of the shots you don’t take. – Wayne Gretzky

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Ah, Cupid…

“Be of love a little more careful than of anything.”
 ~ E. E. Cummings

“Two Tulips” / © Patricia Saxton / oil on canvas

Ah, Cupid. Fickle, passionate, God of Love whose darting arrows don’t always hit the target … we celebrate you nonetheless, along with the eternal stuff of poetry and song, and hearts that beat a little faster.

Some celebrate you with devotion to whispers of sweet nothings and a worship of chocolate and roses. For some it’s more bitter-pill than joyful-tonic. Others prefer to spend the day with their cats. (I get that.)

I can count a few especially thoughtful, romantic Valentine Days. But as the story goes, those went all wrong in the end (beware the man who writes you poetry, a friend once told me…), so I turn instead to unscathed memories of shared Valentines from grammar school, or the hand-made kind we gave to our parents, with big red construction paper hearts and white lace around the edges, filled with unabashed adoration. And those we give our own children marked with a thousand x’s and o’s.

Beyond that I admit to a dose of romantic cynicism – but even so, I am a believer in love. I don’t mean the love-you-think-is-love that hurts. I mean the fact that love heals, love lifts, love binds, love seeds and nourishes and shines a light; love enhances, love honors. Every task we do, every word we utter, every hand we shake, is better if there’s love in it. Love is the purpose. Love is the cause. Love is the root of all good that ever was or will be.

So let sweethearts swoon. Let the day be thick with roses and chocolates for all who’ve ever felt the exultation – or the sting – from Cupid’s arrows, all who’ve felt their heart swell, their color blush, their energy soar and their selfishness cease in the face of unbridled love.

And with or without a “Valentine”, maybe we can share a little extra heart today. For self, for others, for your pets, for your garden, for your books, for your bicycle, for your favorite chair. Even for the guy trying to make a left turn on a busy street. Raise up the heart quotient all around.

Celebrate love. Read some literary candy (a selection included below for you and your cat to enjoy). Give someone a cupcake. And smile, because – despite or by means of Cupid – love still exists in this mad world.

Love is Not All (Sonnet XXX), Edna St. Vincent Millay

Love is not all: it is not meat nor drink
Nor slumber nor a roof against the rain;
Nor yet a floating spar to men that sink
And rise and sink and rise and sink again;
Love can not fill the thickened lung with breath,
Nor clean the blood, nor set the fractured bone;
Yet many a man is making friends with death
Even as I speak, for lack of love alone.
It well may be that in a difficult hour,
Pinned down by pain and moaning for release,
Or nagged by want past resolution’s power,
I might be driven to sell your love for peace,
Or trade the memory of this night for food.
It well may be. I do not think I would.

18th Sonnet, William Shakespeare

Shall I compare thee to a summer’s day?
Thou art more lovely and more temperate:
Rough winds do shake the darling buds of May,
And summer’s lease hath all too short a date:
Sometime too hot the eye of heaven shines,
And often is his gold complexion dimm’d;
And every fair from fair sometime declines,
By chance or nature’s changing course untrimm’d;
But thy eternal summer shall not fade
Nor lose possession of that fair thou owest;
Nor shall Death brag thou wander’st in his shade,
When in eternal lines to time thou growest:
So long as men can breathe or eyes can see,
So long lives this and this gives life to thee.

How Do I Love Thee? (Sonnet 43), Elizabeth Barrett Browning

How do I love thee? Let me count the ways.
I love thee to the depth and breadth and height
My soul can reach, when feeling out of sight
For the ends of Being and ideal Grace.
I love thee to the level of everyday’s
Most quiet need, by sun and candle-light.
I love thee freely, as men strive for Right;
I love thee purely, as they turn from Praise.
I love thee with the passion put to use
In my old griefs, and with my childhood’s faith.
I love thee with a love I seemed to lose
With my lost saints,—I love thee with the breath,
Smiles, tears, of all my life!—and, if God choose,
I shall but love thee better after death.

Love’s Philosophy, Percy Bysshe Shelley

The fountains mingle with the river,
And the rivers with the ocean;
The winds of heaven mix forever
With a sweet emotion;
Nothing in the world is single;
All things by a law divine
In another’s being mingle–
Why not I with thine?

See, the mountains kiss high heaven,
And the waves clasp one another;
No sister flower could be forgiven
If it disdained its brother;
And the sunlight clasps the earth,
And the moonbeams kiss the sea;–
What are all these kissings worth,
If thou kiss not me?

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Friday Night Book Club: A Love Letter to Art

I cheated on this one. It’s not actually one of our book club books, but I’m going to recommend that it become one – because if you take love, art, World War II and the south of France and put them together in novel form, it’s an almost guaranteed win for me.

In Lisette’s List, Susan Vreeland transports us to the years between 1937 and 1948 – from the onset of war, to an increasingly distressed French countryside, to the war’s aftermath, to Paris, to the rebuilding of hearts and souls and cultural treasures – and in the process, composes what amounts to a kind of lavish love letter both to art and to Provence. Known for her art-based novels (A Girl in Hyacinth Blue, The Passion of Artemisia, and The Forest Lover among my personal favorites), perhaps affection was her intent; if so, she succeeded.

With imagined conversations involving Pissarro, Cezanne and Chagall, and main character Lisette’s passion to “learn what makes a painting great”, with the tragedies of war and the luxurious, natural beauty of southeastern France, Lisette’s List paints a feast of color, tones and textures, lovingly framed by a well woven story that’s beautifully blended with a rich cast of characters. Added bonus: you might never look at a painting quite the same way.

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Crazy for Books

I think books are pretty marvelous things, and that anything that encourages reading, inspires creativity and ignites the imagination is also marvelous. And because it’s gift-giving time, just maybe you or someone you know will consider some of my works worth the giving! It’s been a joy to create them, and an even greater joy to watch them being appreciated. I hope they’ll make lots of people happy this holiday season… the little and the tall, the big or the small; there’s something for all to enjoy. 😉

With peace, love and magic – Patricia

saxton_4books-promo_redWhere?

All books
Or individually:
52 Weeks of Peace
A Book of Fairies
Book of Dragons
The Book of Mermaids
Magnetic Mermaid Dress-up
Totes, mugs and more

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Tim Cantor: Amazing

Tim Cantor is ridiculously talented. (I’m pretty sure if you look up the word “amazing” in the dictionary, his picture would be there.) With a brand new exhibit (on both coasts) and a beautifully produced 333-page hard cover coffee-table book showcasing his extraordinary art and poignant writings, he’s a shining star and rightly so. (Oh, and did I mention that one of his paintings inspired an original dress design? I don’t recall who designed the dress – apologies! – but did have fun seeing it.)

Last night I had the opportunity to meet Tim and his incredibly sweet, gracious wife, Amy, at the opening of his show in SOHO at the AFA Gallery. Props to my friend Roxanne for the introduction, and thanks to the weather for making it a perfect evening to stroll through the city. Then, of course, was the phenomenal art, admired with a glass of champagne in hand.

And, there was a dragon! A marvelous dragon, and another point of connection between two artists finding a few moments amidst the flurry of an opening reception to chat about how our minds work and how we don’t really go to many art shows and never wanted to be influenced by other artists so kind of kept our heads down, eyes on the canvas, brushes ready for the whichever inspiration would win out over another. (I don’t think you realize missing other people “getting” that sort of thing until you stop working long enough to rub shoulders.)

Tim, though, unlike myself, has made his fine art into a hugely successful full-time endeavor – and with his mastery, it would be a crime if he didn’t.

His demeanor is gentle and genuine, and his work – even if you didn’t know that he’s considered an artistic “rock star”, or that his art was introduced into the permanent art collection of the White House at age 15, or that his paintings hang in numerous celebrities’ homes (Robert DeNiro, Robert Redford, for example), have been exhibited around the globe and garnered wildly impressive media recognition – is truly exceptional. Seeing his surreal pieces in living color in the relatively intimate, high-ceilinged well-lit space of AFA was a delight.

The exhibit is up all summer at 54 Greene Street New York, NY 10013. Details here.

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cantor_dog

cantor_apple

cantor_dancer2

cantor_dragon

All art created in oils, © Tim Cantor. See more of Tim’s work at timcantor.com.

 

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Sorry Cupid, I Have Plans with My Cat

Valentines’s Day isn’t for everyone, and Cupid doesn’t always hit his mark.

For some, yes, there’s devotion to the whispering of sweet nothings, and the worship of chocolate and roses. But for some it can feel more like a bitter pill than a joyful tonic.

Others may simply prefer to spend the day with their cats. (Yeah, I get that.)

Regardless of how one feels about it, Valentine’s Day has a long history celebrating perhaps the most important, and often misunderstood, human condition: love.  And love will not be ignored. Poets write about it, songs are sung, paintings are painted. Endlessly. From the beginning of time to its last breath.

Whether it’s romantic love, or family love or friendship love or self love, love is what matters most. I don’t mean the love-you-think-is-love that hurts. Or the heartbreaks or the losses. I mean the fact that love heals, love lifts, love binds, love seeds and nourishes and shines a light; love enhances, love honors. It’s the root of all good that ever was or will be.

So spend the day however you like; just try to do everything, big or small, with a spirit of love. Your heart will be glad.

And while you’re at it, here are some classic paintings you and your cat can enjoy. Happy Valentine’s Day. <3

1. Dance in the Country PierreAuguste Renoir (French, 1841–1919) 1883 oil on canvas *Paris, Musée d’Orsay. *Photograph © Réunion des Musées Nationaux / Art Resource, NY. *Courtesy, Museum of Fine Arts, Boston.

Dance in the Country / Pierre Auguste Renoir, 1883

 

The_Kiss_-_Gustav_Klimt_-_Google_Cultural_Institute-1

The Kiss / Gustav Klimt, 1909

 

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Cupid and Psyche as Children / William Adolphe Bouguereau, 1889

 

The Fisherman and the Syren / Frederic Leighton, 1858

 

El_Beso_(Pinacoteca_de_Brera,_Milán,_1859)

The Kiss / Francesco Hayez, 1859

 

Noon - Rest from Work (after Millet) / Vincent van Gogh / 1890

Noon – Rest from Work (after Millet) / Vincent van Gogh, 1890

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Patience and Process: Part II

saxton_paints1
The beauty of oil paints is not only the way they flow and breathe; the way they can bend and curve to your brush ‘s command like spreading soft butter or icing a cake; it’s also their longevity. A tube of good oils can last years and years and years, and I love that you can “wake up” a painting after a month or a year, the paint still pliable.

The un-beauty of their longevity is that the caps may become stubborn as a mule, or a little dog who doesn’t want to go for a walk. They won’t budge. And if you did a really lame job of replacing the cap, the paint inside will harden, which definitely isn’t conducive to a good experience.

Of course, if you’re a tidy painter who takes precise care of their tools, such as deliberately cleaning off any paint residue from the top of the tube before putting the cap neatly back on, this may not happen to you. But I’m not a tidy painter. This is kind of in opposition to my general character (a topic that could easily lead me to talk of astrological signs, but I’ll spare you…); nevertheless, it’s true.

And so, when I sit down to twist open the first glorious tube of Titanium White, the cap doesn’t cooperate. I then have to resort to using pliers and muscle, or if they fail, I’ll use fire. (First time I used fire I was pretty nervous. But it does work, briefly heating with a match just around the bottom edge of the cap. Still, don’t take my word for it, please. There are all kinds of remedies, so read up first if you find yourself with a stuck cap. And by the way, I’ve heard that running a little vaseline around the rim before replacing the cap does wonders.)

If it’s irretrievably old and crusty, the last resort would be to buy a new tube. Because of my Scottish blood and a father who taught us, perhaps too well, about re-using and making things last for eons, I’m loathe to buy unless necessary.

Luckily, today, pliers did the job. And once I’d gone out for new turpentine – which I unexpectedly did need (ugh) – I was now, finally, ready to dip the brush and slather some paint on a couple of ever-patient canvasses.

It was so much easier when everything was all “set and ready.” All the stop and go and stop and twist takes away some of the vibe. The good news is, I’m on course again.

So. Patience. Process. Progress.

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Patience and Process

saxton_patience.child

Everything’s got a process. The seasons, falling in love, solving a problem, making a meal, setting sail, etc.

So, too, with art.

With design, it’s largely a mental process. One word, one image, one “sense” can set off a cascade of ideas for the mind to siphon and distill, then execute with the clean tools of my Mac. (Not like the old days of things like rubber cement, and amber sheets for separating color, which I readily admit not missing at all.)

With illustration, it’s both a mental and physical process – lining up my tools, making physical sketches, conjuring ways to illustratively express different concepts and then execute, still, for me, primarily by hand.

With painting, it’s almost purely a physical process – brushes, paints, canvasses – along with a great deal of heart. There’s not a whole lot of “figuring” things out. The act of painting takes the lead, as opposed to the mind taking the lead.

And then, sometimes, the process – any process – gets clogged. There’s a setback. Things happen – often things that are out of our control (although, most of life is [out of our control], despite what we might like to think… but that’s another talk, for another time.); acts of God and so forth.

A few years back there was a huge flood in my studio. Took a few months to get my design and drawing stations in workable shape, which was key. Next would come the painting area. But time went by, and went by. The task was daunting, and I was busy writing and illustrating Dragons* in between client work.

Still, the canvasses whispered. Then they called. Then they shouted.

Finally, with some help, I cleared the space enough to feel I could answer their longing, incessant chatter, and right away felt better. Chomping at the bit, I would designate Saturday’s as painting day (other days were welcome, but this would be an agreed-to arrangement between me and paint). Yes! All was lining up.

So. On the appointed day, I clear off some last things from the table beside easel #1, clean it like new (a little lemon oil does wonders), grab a favorite old oversized shirt, a paint rag and one of the many not-so-patiently waiting images already engraved in my mind’s eye.

Just a few more things moved aside uncovers my marvelous palette, which I see, to my imminent dismay, is loaded high with caked on paint remnants. I decide it’s a work of art in and of itself – but will not do for squeezing fresh paints over all its hills and dales, nor sweeping a brush through assorted nooks and crannies.

And thus ended my first day of renewed painting. The mood cut short by a crusty old palette, and the need for a new one.

Initially frustrated, I soon realize it’s just part of the process. Making ready, preparing the space. There’s a ritual to it – shirt or apron, rags, the gathering and oozing of colors, the first strokes of the brush – and I hadn’t yet gotten to the place I’d been before, where ritual flows, all “set and ready” for when the spirit moves and chunks of time move with it.

Patience child, you’re almost there. Trust the process.

In the meantime, even more inspiration was uncovered by my delightfully messy palette (especially the underside – who knew?!) – just in case I needed any more. 😉

saxton palette / topside

saxton palette / topside

saxton palette / underside

saxton palette / underside

 

* Side note: “Book of Dragons” is officially almost here. I have my advance copy in hand! The rest will arrive …. soon, and you’ll be among the first to know.
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