The Sweetest Word

Mommy. Mummy. Mama. Mutti. However it’s said, it’s one of the loveliest words in the human language.

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Before, of course, it becomes M-oooooom. And yes, in between the sleep deprivation and scream-stifling and hair-graying moments ~ it’s been the sweetest sound I’ve known; a sound full of love and trust. Love and trust that my mother earned before me, and that I hope I’ve earned during my own Mommy years.

Which, come to think of it, are years that really never end, dear children… because whether you know it or not, whether you want us to or not ~ while we won’t continue to make your bed or pack your sandwiches or read you nighttime stories, and (promise) we won’t hassle you about how late you get home when you’re 35 ~ we will worry and praise and feel your hurts and thrill with your joys and wish for your happiness with all our hearts even as you grow old, too; such is a mother’s love.

Celebrating mother’s everywhere ~ have a beautiful Mother’s Day!

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Tools and Other Worthy Indulgences

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Some things are more worthy of indulgence than others. Long, hot baths come to mind. Good books. Time with friends, time alone, laughter, comfortable shoes.

And because I was just speaking of pens (previous post), my mind turns to the tools we use and how much the right ones matter. Even a simple, everyday pen can be a tool of ease or frustration, depending first on how well it’s made, then how well it’s taken care of, and finally, knowing when its time is up.

Not all pens are created equal; nor pencils, nor hammers, nor computers, nor cameras, nor carrot peelers. The list goes on.

Several years back I worked on a mural with a group of other artists. A handful of brushes were available, paints were provided and we’d all been part of the design, so it was just a matter of painting. Fun, right?  Sort of, but not really. Why not?

The thing is, we worked in acrylics, which was, at the time, a medium I was less familiar with than some of the others artists were, and I’d been feeling irritated by the way the paint went on. Then one day, towards the end of the project, someone handed me a different paintbrush. In that moment, within seconds of the first brush stroke, night became day. Winter became spring. Skies turned blue. Birds sang, trees blossomed! I was stunned. The paint suddenly flowed. All that time … struggling, thinking it was me, when really … what a difference a brush can make!

And back to pens for a minute ~ in the early days, when not using my trusty #2 pencils, I’d draw with an old-fashioned calligraphy pen – the kind with metal nibs; the kind that people of centuries-gone-by used for letter writing, under the light of a candle or a kerosene lamp, dipping the pen in and out and in and out and in and out of a bottle of India Ink. Precision was difficult, mistakes and ink blobs were relatively easy to perform, but if you took good care of your tools and practiced your craft, beautiful results could happen. I got pretty good at it.

Then, (thank the Pen Gods), someone invented a pen called a rapidograph. At first I was pessimistic. It wasn’t “the real thing”. But two minutes in, I was hooked. It was real, and wow ~ manna from heaven! ~ it made the whole drawing experience so much better. Changing and cleaning nibs – easier. Mess – hardly. Potential for precision – worlds apart.

Of course there will always be poor imitations, in which case any newness is hardly worth it. Just because it’s “new” doesn’t mean its “good”. Since the dawn of time tools have been made to make life 1.) easier and 2.) more efficient. If those two criteria aren’t met, (in my best New Jersey accent) “fuggedaboudit.”

Holds true of everything. Take ice cream scoopers, which also happen to be a favorite tool of mine. They have to be sturdy, with the scooper-outer part just the right depth, the handle firmly attached and nicely grippable. Definitely not made of cheap plastic stuff. The last thing you want is a sprained wrist when indulging in a much-deserved treat. Ice cream is intended as a happy experience.

I’m sure most of you have a “bad tool” story, and probably know as well as I that when it comes to tools, quality counts. So indulge, I say! – not because they’re a treat, but because the difference can be like night and day. The right tools can replace cursing with whistling. And time spent, that most precious commodity, becomes more productive and pleasant if not downright fun.

So here’s to the value of tools; no matter what you do, wherever you go, may the right tools be yours. : )

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A Plethora of P’s / #70: Pen (and Ink)

proactively punctuating life with the plausible, powerful possibilities of positive thought presented through a plethora of “P’s”.

saxton.P_penaandink“The pen is mightier than the sword.”

I’ve always liked this quote. It assumes the great power of words, language and intention, which are just a few of my favorite things, along with pens themselves, of course.

[Side note: I’d always assumed this was a line from Shakespeare. Sounds like it ought to be, right? But I was wrong. This is what learned: This line was quoted in 1839 from a play written by Britain’s Edward Bulwer-Lytton, both an Author and Politician of his day. No one remembers the play (Richelieu: or, the Conspiracy) but we’ve all heard the line. Apparently he’s also famous for the opening “It was a dark and stormy night”. I just love learning new things. 🙂 ]

In any event – back to P for pen. This is actually a guest P, created by a friend of mine and presented as a surprise, which truly delighted me. She’d taken a Zendangle course, and this was something she produced. Isn’t it great?! I adore it.

It’s also great because pens have always been an important positive in my own world. I am, in fact, most comfortable with a pen in hand ~ I just think better with a pen in hand. I’m also able to doodle if things are dull on the other side of the table or the other end of the phone, or in meetings, or just as an unconscious release of nervous energy. They’re great for making lists, and of course, for jotting down flashes of brilliance (that may or may not be brilliant on second look). My thoughts flow most easily when writing. As if the connection between mind and hand takes just enough longer than the one from mind to mouth, allowing for a richer expression, rather than a quick one.

Pens and I go way back. As a child I was always drawing and writing. My mother, a poet, was always writing. My parents had fallen in love through letter-writing. Pens were the natural order of things.

Then as my drawing skills developed, I got more and more courageous and soon stepped out of my comfort zone with pencils (which can be erased) to pen and ink (which cannot be erased). This is when I learned, sometimes the hard way, that mistakes a.) happen and b.) are not always remedied, but c.) can sometimes be made into something better. A life lesson from an unlikely source, but a good one I’ve carried with me.

So I, yes, am grateful for pens. And I do believe they are mighty. <3

Here are a few pen and inks from my archives.

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(see our ongoing Plethora of P’s here)

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Here But Not Here

 

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I escaped today. Courtesy of three little pigs, a pencil and, I suppose, either my inner child or a light-hearted muse. It’s part of a project I’m working on, but, as sometimes happens, it took a turn of its own accord, and I was amused. It’s good to be able to entertain oneself, after all. :  ) To escape life’s more serious avenues and put your own smile on it.

So the turn made me smile, and also reminded me how the making of art is both an immersion and escape. It’s like plunging into the world, while fleeing from it at the same time. Engaged with the world, but not part of it. Maybe it’s the same for the art viewer ~ depending on the piece, a feeling of being somehow here but not here. The connection happens with the senses. Of course thought is involved at different points along the way, but if you start to think about it too much, some of the magic thins.

That said, there wasn’t too much thought involved in this one. The idea had lodged in my mind well before I picked up a pencil, and my job was to simply enjoy the drawing-it-up part, and within that process be transported, for a little while, to that familiar place that is here but not here.

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Holiday Goodies from Saxton Studio

It’s that magical, hectic, gift-giving time of year! And again I add my voice to the chorus of choices, with gifts about reading and imagination.

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I’m truly grateful – and pleased as punch – that my books are enjoyed and continue to sell year after year, and I extend a heartfelt Thank You to all of you who’ve supported my efforts!

If you know anyone else who might like to give or receive these books and products, please feel free to share the love and pass this post along. To purchase, a click on the image above will take you to my Amazon Author page. Links to individual books and related gifts are listed on my blog’s Shop page!

Wishing you every blessing this holiday season.
Don’t forget to feel the magic!
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The Conjuring of Beasts and Things

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I feel like I should be handing out cigars. Well, not quite yet ~ but maybe I oughta stock up in anticipation, as I’ve reached the final stretch of my long walk into the magical world of dragons.

It’s a good feeling when months of creating ~ revising, adding on, taking away, nurturing and bonding with creatures that somehow feel alive in your mind, made real through your hands, with paper, pen, pencil, brush and keyboard ~ finally comes together. Like carrying a child for nine months, you find you’re anxious to give birth. Like rehearsing a play, the hour comes, the curtain rises, it’s showtime. There’s relief, trepidation and confidence, all mixed in. Cigars and (more likely) flowers are shared. And we’re almost there.

Once it’s edited and packed off to press, once it’s printed and bound and shipped out to the Amazon’s and Barne’s & Noble’s of the world, it’s all very tidy looking. For any illustrated book like this, the pages show a certain level of thought and detail and complexity, but not the background steps ~ not the conjuring, the sketches, the fine-tunings, the first, second third, fourth drafts, the hundreds of decisions along the way. The “fitting in time” when there really isn’t any, which means a pretty grueling schedule. It’s quite the process…  satisfying in many ways, invigorating in others, tiring in others, and always hope that at the end of the line it will be well-received.

This will probably be my last book of this”trilogy”: mermaids, fairies, now dragons. And that’s a good place to stop. But there are other works that’ve been waiting backstage ~ stories, poetry, paintings ~ so it certainly won’t be the last of me.

For right now though, I’m off to dot those final i’s and cross the last t’s. Then my publisher will have a whack at it, and I’ll start ordering those cigars in honor of birthing more beasts and things. (Due dates to come … stay tuned!)

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Twelve Months of Flowers

If only it were true. Unless you count holly berries, there’s really not much in the way of floral color in northeast winter months.

But “Twelve Months of Flowers” can be had via art prints, from the series published 1n 1730 by renowned British horticulturist and author Robert Furber. Mr. Furber’s name is highly attributed to these exquisite prints, and while I’m grateful that he had the insight, substantial research and knowledge (and, no doubt, the funds) to produce the collection, I’m mostly interested in the artistry.

We had two of these prints hanging in our dining room during my growing-up years – one May, one November, the months of my parent’s birthdays. Admired by all, they adorned a modest space with a rich, subtle elegance, (and now that I think of it, may have had an influence on my own interest in drawing things botanical) ~ but in all those years, while we probably did, I don’t remember talking about the artist. Regardless, for some reason they lodged in my mind’s eye today ~ perhaps an unconscious nod to my parent’s wedding anniversary? ~ so I went looking.

First of all, they are hand-colored engravings, produced by English engraver Henry Fletcher from paintings of Flemish-born artist Pieter Casteels . (They also produced an equally stunning second series, Twelve Months of Fruits.) Each work is a glorious detail of plants in seasonal bloom, with each plant numbered, and, at the time, a list of the corresponding names. More than 400 plant species were featured. This was no small project.

And so a few centuries later, I thank them ~ all three of them: Furber, Fletcher and Casteels ~ for their fine, luscious collaboration of study, talent and skill. They are so beautiful, I might even venture to call them a labor of love. But that’s what art is.

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A Plethora of P’s / #47: Perfection

proactively punctuating life with the plausible, powerful possibilities of positive thought presented through a plethora of “P’s”.

A grand old oak. Moonlight on a tranquil sea. The timed-just-right one-liner. A child’s first alphabet. These are perfection.

And you (yes ~ you) are perfection. In all your realness, your uniquely you-ness, just the way nature made you, flaws and all. It’s not measured by the length of your legs, the width of your belly, or whether you might not be so good at baseball or science.

Unless you’re a jet engine, perfection is as nature made you. And nothing is more perfect, nothing so magnificently intricate and complex that runs more efficiently nor encompasses more bounty, grace, grandeur and passion than nature.

An exquisite rose reminds us of the world’s beauty; its thorns remind us that there is always a purpose beyond what meets the eye. An ugly plant may not elicit oohs and ahhs, but it might perhaps hold a cure for cancer.

We’re all part of nature’s fabric. We all have beauty, we all have thorns. We all have gifts, and reason to be here. Each and every one of us. Flawed, and marvelously, perfectly ourselves.

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How To Avoid The World’s Troubles and Other Annoying Things

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“Gordon” / @Patricia Saxton / Book of Dragons

You could, of course, live under a rock. That sounds uncomfortable though; so, no, that wouldn’t do. But with the world teetering on the brink of lord knows what evil, with clever actors paid to persuade us that we have all manner of ill-health and need to take X drug, with things like the disturbing reality that artist Damien Hirst is a really Big Deal and triple bacon cheeseburgers considered a healthy meal, with baseball heroes letting us down and the Kardashians worthy of conversation, avoidance becomes more and more attractive.

It helps to have a meaty project to get lost in. Say, an illustrated book about dragons :  ), or creating the world’s best bread. (I’m reading a book in which the main character is a baker, and it sounds rather yummy, all that dough and kneading and freshly baked bread smell.) You could, of course, read, and then just keep reading ~ since books have a marvelous way of taking you places, away from the here and now. You could take up sky-diving or some other sport where there’s no room for thought beyond your own life flashing before your eyes. You could tend puppies or fill your social calendar with bunco matches (I’ve never played bunco – not sure if this is good or bad to admit). You could build something with your own two hands. You could sail around the world.

If you’re serious about avoiding the world’s troubles and other annoying things, whatever you do, do not turn on the tv. Avoid over-indulgence in social media. Stay away from negative people. Then, focus on the good stuff, no matter how small. Practice gratitude. Be kind. Because life is precious and too short to be fretting over things we can’t control. And just maybe it’ll all go away. Maybe it’s all just a ruse. Maybe whatever happens will simply happen with or without inserting our personal energy. It’s very hard, life. Why make it harder.

It’s not that I don’t care. I do care, maybe too much. It’s not about sticking my head in the sand. Trust me, I get riled. But I’ve realized it’s not my calling to fix the world. A friend, sure. Even a whole bunch of them ~ but the entire world is just too much. If only the world at large would stop all the fussing and fighting. If only.

And so, hours spent creating a dragon that will be part of a book that one day soon may be enjoyed by a fresh-faced, bright-eyed little person – maybe a whole lot of bright-eyed little people – seems a good use of my time. Not only that, you can’t think about annoying things when you’re making art. Works for me.

 

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Claws, Scales and Spiky Spines

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Did you know that shavings from a dragon’s claw can ward off headaches? And that the hard, shiny scales of desert dragons reflect the sun to keep the desert from burning up? And, how can you be absolutely, positively sure that all those gargoyles adorning the tops of old buildings are really made of stone?

It’s been a long time coming, with lots of starts and stops, (oh, and a little marvel of a book about peace in between…!), but my Book of Dragons is finally on the front burner, and the flames are hot.

It’s amazing what we learn when we walk through the “veil of reality” into a place most people think is strictly imaginary. I suppose it’s a little weird, but I’ve always believed that research pays off ~ so, if, for example, you happen to be making a book about dragons, it’s best to go to the source. Which I am, and am finding out lots of cool new things.

As an aside, a bit about process… Those starts and stops haven’t been for lack of interest, but for lack of dedicated time. The illustrations take many, many (many) hours to complete (this is after you’ve conjured them up, seeing as live dragon models are hard to come by), so are generally not something you can pick up on the fly, or finesse during the odd hour here or there. The writing, while much quicker, tends to evolve as you go ~ and then there are the edits, which can take longer than the writing.

There comes a point, though, when you just have to put your foot down, lay a few things aside (dust bunnies anyone?), say “no” to things that gobble up hours at a stretch, send your Wonder Woman cape to the dry cleaners and dig your claws in nice and deep. Before your publisher gives up on you, before all the kids waiting for the book have grown up, and last not but not least, so you can get to the stash of other stories and paintings and poems waiting in the wings. So if I’m a bit quiet here, that’s where I’ll be for a little while longer, immersed in the land of dragons.

(P.S.  Dear Clients, you’ll still come first. Just don’t be surprised if some of your designs are singed a bit.)

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