52 Weeks of Peace [squared] / Week #65

We should love Mother Earth every day, but since we’ve got “Earth Day” designated on the calendar, and it’ll be here tomorrow (April 22), I figured I’d offer a new bit of peace for the occasion, with this thought-wish:

May peace blossom in your world, with luxuriant petals that fall in soft, lovely patterns reminding us that both peace and the planet are endlessly beautiful. Tend them lovingly ~ for if not me and not you, then who will nurture all that is good and glorious in this world?

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Afterthought to “Beautiful Paintings in an Unexpected Place”

I woke this morning wondering why I’d been so surprised by the artwork at the Air Force chapel.

Art ~ some of the most beautiful art, in fact ~ has been intertwined with faith and patronized by religions for centuries. Stories have been painted for eons. Some quite famously.

And then I reflected that many church structures are architectural works of art themselves, often filled with exquisite artifacts and outstanding craftsmanship.

And then, of course, I was forgetting that so much of art is spiritually inspired to begin with. Not necessarily a religious inspiration, but artists are often moved by spirit. And by that I mean that there is something that happens during the artistic process that transcends the every day “here and now” reality.

Whether the subject matter is divinely inspired, or the physical act of creating a work of art feels almost like an out-of-body experience, there’s always a point (and who knows how long before one becomes aware of it) where you realize it’s not your conscious mind guiding your hand, but more a partnership of heart and spirit. Call it what you will, there is something else going on besides you, the paint and the canvas.

Considering all that, I don’t know why I felt “surprised”. Maybe I expected something less grand because it was a military-based chapel ~ you know, as if it should be sparse, regimented, orderly, practical ~ until I realized that faith and war have also gone hand in hand. Soldiers need a sanctuary, perhaps more than anyone. A God to call upon, an angel or two on their shoulders ~ a way to feel there is something greater, larger, more knowing and filled with light to look to when their own feels dim.

And now that I have this all worked out, I think my reaction was more about the art itself. While biblically based, the art wasn’t what one might think of as typically “churchy”. And maybe the fact that the paintings were framed, much like they might be in a livingroom, made them feel accessible as opposed to otherworldly. Or maybe I just really liked their contemporary style, and their presence in a chapel simply set their reverence apart.

So I guess there really shouldn’t have been any surprise. But there was an unexpected appreciation.

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Beautiful Paintings in an Unexpected Place

I expected to see fighter jets and smartly clad cadets during a recent visit to the US Air Force Academy in Colorado Springs.

I didn’t expect an intriguing, architecturally and symbolically impressive chapel, and I definitely didn’t expect art ~ especially the kind that’s inspiring. What a delightful surprise I was in for!

The works below are 7 of the 9 paintings created by Polish born artist Shlomo Katz permanently displayed in the Jewish synagogue area of the Academy’s chapel. (There are individual Protestant, Catholic,  Jewish and Buddhist chapels, all self-contained under one amazing roof of the chapel building).

Katz painted all nine pieces in a 9-month period, which is pretty incredible in and of itself. Each piece tells a biblical story, created with oils over a gold-leaf base. The effect is truly beautiful ~ enhanced by a marvelously rich color palette, wonderful artistic styling and a terrific sense of design.

I guess the only thing that wasn’t a surprise was learning, after the fact, that these pieces of art are considered a national treasure. They really are stunning.

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“where in the world is peace?” … rocky mountains

With a Rocky Mountain backdrop, tall pines and splashes of giant red rock, 52 Weeks of Peace traveled west this week, under the big skies of Colorado’s Front Range. (And a little fun was had setting the stage at the famous Red Rocks Amphitheater!)

Mountaintop in the ranching community of Livermore, Colorado

the camera lens was blurred, but the sentiment is clear. 🙂

Red Rocks Amphitheater, near Morrison, Colorado

arranging the bags for a long-distance shot

two more get into the act of arranging

the stage is set!

"Peace on the Rocks"

Northern Colorado. (This bag weathered a bear attack in Pennsylvania before traveling back to Colorado. It's cleaned up, but you can still see a smudge from the bear's paw on the bag's lower right corner!)

Where to next?

ps:  All “where in the world is peace?” images are compiled on our special “where in the world is peace?” page. Our book is on Amazon, our totes, mugs and things are available hereSend your own pictures to 52weeksofpeace@gmail.com and we’ll also post them on our FaceBook page. Let’s see where peace goes!

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Great (& great fun) Design

Here’s something I wish I’d created. I absolutely love this minimalistic children’s story poster series by designer Christian Jackson. They’re clever, delightful, artistic and clean in a wonderfully organic way.

Great stuff, Christian!

By the way, I’ve also learned that they’re for sale, here at imagekind

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Weird Theatre of The Contemporary Art World

Clearly, I’m doing something really wrong.

According to cutting edge L.A. gallery owner Tim Blum (interviewed on 60 Minutes at Miami’s Art Basel, one of the biggest, most lucrative art fairs in the country), the contemporary art world has become the ‘wild wild west’ of our time, a place with no rules and a multi-billion dollar economy.

As 60 Minutes’ Morley Safer said (I paraphrase), art fairs like the Art Basel are not necessarily the places you’ll find art that stirs the soul or shows you beauty, gives you a sense of peace or upliftment. No, here it seems the more bizarre, the better. With outrageous price tags.

Artist: Sam Durant

So I’ll admit that a small little part of my brain is saying, hey, maybe I could do some crazy s#%t and get on the bandwagon here! Because apparently art buyers want avant-garde, controversy, angst, and things projecting off walls that leave you feeling bafflingly unsettled.

But I can’t go there. It wouldn’t be authentic. And art, if nothing else, should come authentically from the artist’s heart.

There are many amazingly talented artists going without notice who have something quite real to share. Very different from a more theatrical art-speak world developed by god-knows-who-who-pulls-the-strings about what should “be worth” millions of dollars. But then maybe I’m just jealous that I didn’t think of creating a piece of art consisting of faucet fixtures placed on a wall.

Artist: Haegue Yang

I’m also guessing this post won’t win me any calls from highfalutin art dealers or earn me a show at the MOMA. Mind you, I have nothing against unusual interpretations, those who might feel, say, that a blue toilet seat is a deeply profound statement on some important aspect of life that I’m not enlightened enough to understand ~   but I am blown away by what brings the highest bidders.

There’s room in this world for all kinds of expression, and I applaud artists’ works being received and financially rewarded. I just don’t “get” the phenomenon of this particular, and kind of peculiar, corner of the marketplace. The jaw-dropping checks written for works that are at best “intriguing” for a moment or two. (But that’s just my opinion. Obviously some folks find them intriguing for longer than that; and those same people would most likely find my work incredibly boring.)

I suppose it all boils down, at some level, to the old unanswerable question “what is art”? And what will the market bear…?

Makes you wonder though. Where are the Michelangelo’s and DaVinci’s of our time? Where would Van Gogh, Homer, Innes, Benton and O’Keefe fit in all this? Where is the quiet but lasting emotional response as opposed to an immediate surface “shock”? Or will time, the great tester, find us nostalgic for dangling lightbulb art? I guess it could happen. And those who had the vision to see what so many of us don’t, will be hailed.

What a strange world we live in. Maybe I’ll just go out back and grab a banana from my van.

Artist: Paulo Nazareth

The full 60 Minutes segment can be read here

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“We Are You Project” Art Exhibition

Last weekend a new exhibit opened in Manhattan’s lower east side Wilmer Jennings Gallery at Kenkeleba.

In recent years I’ve gotten to know and respect several of the participating artists, on occasion sharing gallery space with them, and wanted to show my support. I was also intrigued by the show’s theme: “We Are You”. A simple phrase, but deceptively potent and full. I like how it causes the mind to bend a bit.

As a body of work, the exhibit is described as “an artistic overview of the current state of Latino socio-cultural, political, and economic conditions in the 21st Century  …   reflected in paintings and prints by thirty-three prominent, contemporary Hispanic artists whose trans-cultural and pan-Latino-heritage can be traced to many and diverse Ibero-American traditions, including Mexico, Puerto-Rico, Cuba, Colombia, Ecuador, Peru, Uruguay, Brazil, Argentina, the Dominican Republic, and Spain and Portugal.  Most importantly, each artist or their families have experienced the perspective of being an immigrant, refugee, a migrant, expatriate, or nomad, who gratefully found a new home in the United States, and where over the course of years, they have attained professional success by expressing both their vision and unique personal story.”

They’re an impassioned crowd, friendly and welcoming, and the art was fantastic, with wonderfully varied expressions of what was so eloquently stated in the above press release. Here’s a sampling of what’s on display. If you’re in the area, it’s well worth a visit.

Full listing of “We Are You” exhibiting artists:

José Acosta, Efren Alvárez, Nelson Alvárez, Willie Báez, Josephine Barreiro, Hugo X. Bastidas,, Monica S. Camin, Priscila De Carvalho, Jacqui Casale, Gerardo Castro, Pablo Caviedes, Carlos Chavez, William Coronado, Maritza Dávila, Rosario D’Rivera, Fernando Goldoni, Elizabeth Jiménez Montelongo, Roberto Marquez, Raphael Montañez Ortíz, Hugo Morales, Lisette Morel, Gabriel Navar, Julio Nazario, Jimmy Peña, Joe Peňa, Duda Penteado,  Mel Ramos, Rolando Reyna, Jesús Rivera, José Rodeiro, Marta Sanchez, Sergio Villamizar and Raúl Villarreal.

Gallery Hours: Wednesday to Saturday, 11am to 6 pm or by appointment
Gallery Location: 219 East 2nd Street at Avenue B

The exhibit runs through May 5, 2012.

For further information about the show and related events please contact Kenkeleba Gallery Director at (212) 674-3939 and/or visit the project’s website at:  http://www.weareyouproject.org

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“where in the world is peace?” … community art park

These terrific pictures were shot in downtown Dayton, Ohio at Garden Station ~ an old rundown railroad turned dumping ground turned into a community garden/art park by a local artist collective. Positive hearts and minds in action ~ love it!

detail of "Peace Wall" ~ Garden Station, Dayton, Ohio

"Peace Trees" ~ Garden Station, Dayton, Ohio

full view of "Peace Wall", Garden Station, Dayton, Ohio

Where to next?

(ps:  you can see all “where in the world is peace?” images compiled on our special “where in the world is peace?” page. Our book is on Amazon, our totes, mugs and things are available here. Send your own pictures to 52weeksofpeace@gmail.com and we’ll also post them on our FaceBook page. Let’s see where peace goes!)

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